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The Mummy

PART 10

INT. FOYER - NIGHT

O'Connell and Jonathan race into the foyer and skid to a

stop as they see Henderson's shriveled body on the floor.

O'Connell runs up to Evelyn's door and rattles the knob,

still locked. He bends down and looks in through the KEYHOLE.

EVELYN'S ROOM - NIGHT

Imhotep leans down towards Evelyn, about to kiss her as she

sleeps. The door starts to CRASH and BANG from O'Connell.

Imhotep ignores it. And KISSES Evelyn. His lips and mouth

instantly start to DEGENERATE and DECAY. Right down to the

bone. The door BURSTS OPEN. Evelyn wakes-up. Sees Imhotep's

rotted mouth kissing her. She SCREAMS and shoves him away.

Imhotep's putrid mouth grimaces in sadness.

O'CONNELL

Get your hands off my girl, pal.

Imhotep's sadness turns to anger as he spins around and faces

O'Connell. Imhotep licks his fetid lips. O'Connell smirks.

O'CONNELL

Nice lips.

Imhotep starts to move for O'Connell.

O'CONNELL

I figured you might be here,

so I brought a friend.

He throws the white cat at Imhotep. Imhotep instinctively

catches it. He SHRIEKS, drops the cat and stumbles back

towards the window, --which suddenly BLOWS OPEN. Imhotep

spins like a dervish and BURSTS INTO A WHIRLWIND OF SAND.

Everybody covers their eyes. The Imhotep/sand-devil EXPLODES

out the window and vanishes over the compound.

Jonathan aims his gun at the window, his hand shaking badly.

O'Connell hugs Evelyn as she wipes her mouth in disgust.

Daniels walks in, looks at Henderson's shriveled body on

the floor . .... and drops the martini glasses.

INT. 1923 CONVERTIBLE DUSSENBERG - NIGHT

Jonathan races his big convertible through the streets,

HONKING constantly. Evelyn sits between him and O'Connell,

looking scared and nervous, then she gives O'Connell a look.

EVELYN

You called me your girl?

O'CONNELL

What? ... Oh yeah, that was just

um, you know, figure a speech.

EVELYN

I think you were jealous

O'CONNELL

Jealous? You kiddin' me? Did

you see that guy's face?

Daniels leans forward from the back seat, filled with fear,

DANIELS

Shut-up! JUST SHUT-UP! We gotta

do somethin'! we gotta do somethin,

NOW! Before it's too late!

They race into the driveway of the museum of Antiquities.

EXT. CAIRO BAZAAR - NIGHT

A FULL MOON now shines down on the bazaar, still bustling

with activity. Suddenly, a BREEZE kicks-in. GREEN MIST begins

to SWIRL down the street and through the stalls. The people

begin to CHOKE and COUGH and RETCH, as if being hit by a

severe sickness. --It's already too late.

Imhotep strolls through the sickened mob, his face half

rotted off, his deformed mouth grinning happily. Beni is

at his side, looking very nervous. And then, one-by-one',

the people silently begin to follow Imhotep, their skin

now covered in disgustingly hideous BOILS AND SORES.

INT. MUSEUM OF ANTIQUITIES - NIGHT

O'Connell., Jonathan, Daniels, the Curator and Ardeth Bay

fo11ow Evelyn as she strides through the museum.

EVELYN

Last month I came across an

inscription that mentioned

The Book Of The Dead.

DANIELS

That book we found at Hamunaptra?

EVELYN

Yes. I dismissed it, because it

talked about bringing people

back from the dead. A notion

I was unwilling to believe.

O'CONNELL

Believe it, sister. That's what

brought our buddy back to life.

JONATHAN

And now he's going to use it

to bring his girlfriend back

ARDETH BAY

And if he succeeds, the two of

them together will bring about

the apocalypse.

The Curator joins Evelyn at her side as she heads up the

stairs, everyone else in hot pursuit.

THE CURATOR

The plagues we have seen so far,

are merely Imhotep flexing his

muscles. only at the moment of

Anck-su-namun's resurrection

will he be truly invincible.

They reach the display cases. Evelyn quickly opens them.

EVELYN

I'm thinking that if the black

Book Of The Dead can bring people

back to life--

CURATOR

--then perhaps, the golden Book

Of The Living can return them

to the underworld.

EVELYN

Exactly -

O'CONNELL

So your sayin', if we find the

book made outta gold--

CURATOR

--And read the sacred incantations

contained inside it.

O'CONNELL

You think it'll send this guy

back to hell?

CURATOR

Correct,

And that's when LOUD CHANTING is heard coming from outside

They all rush over to the upper windows and look down--

OUTSIDE: A large, CRAZED MOB covered in hideous boils and sores

comes CHANTING up the driveway: 'Anck-su-namun! Anck-su-namun!

ARDETH BAY

it has begun. The beginning of

the end.

EVELYN

Not quite yet it hasn't. C'mon,

Evelyn dashes back to the display cases. Everyone follows.

EXT. MUSEUM - NIGHT

The crazed mob CRASHES into the huge front doors, which are

locked. They pound furiously, throwing themselves at it while

CHANTING CONSTANTLY. Imhotep solemnly comes up the driveway.

INT. MUSEUM OF ANTIQUITIES - UPPER BALCONY - NIGHT

The BANGING on the doors can be heard as Evelyn and the

Curator quickly sort through broken pieces of stone tablets.

The others watch. Evelyn pulls out a large piece.

EVELYN

Got it!

O'CONNELL

Got what?

The BANGING gets LOUDER. Multiple windows SHATTER. Evelyn

talks while quickly translating the tablet:

EVELYN

Since the black Book of The Dead

was found inside the statue of

Anubis, then according to this,

the golden Book of The Living

should be inside ........

Evelyn finds the translation in the tablet and smiles.

O'CONNELL

what?

JONATHAN

What?

DANIELS

WHAT!?

EVELYN

The golden Book Of The Living,

is inside the statue of Koz-us.

CURATOR

Which would be located not far to

the east of the Anubis statue.

O'CONNELL

Don't tell me we gotta go back

out there?

CURATOR

If we want to kill the creature, yes.

TWO HIDEOUS BOIL & SORE-COVERED MEN charge out of a doorway,

SCREAMING. O'Connell and Ardeth Bay grab them and chuck them

over the railing. The men fly through the air and CRASH into

the lower display cases. The front doors suddenly BURST OPEN,

The crazed mob pours into the museum. our heroes haul-ass

across the balcony and down the staircase.

EXT. MUSEUM OF ANTIQUITY - NIGHT

Jonathan sneaks out of some bushes and quickly heads for his

convertible. Suddenly, a splinter group of the diseased mob

comes around the side of the museum. Jonathan instantly bugs

his eyes out, starts drooling, and begins CHANTING---

JONATHAN

Anck-su-namun! Anck-su-namun!

The crazed group runs past him and heads into the front doors

of the museum. Jonathan leaps into the convertible, fires it

up and 180's it back over to the bushes.

O'Connell, Evelyn, Daniels, Ardeth Bay and the Curator jump

inside the car. Beni steps out of the museum and sees them.

BENI

Imhotep! IMHOTEP!

Imhotep looks out of the museum from the shattered upper

windows just as the convertible PEELS OUT. O'Connell points a

finger at Beni as they race past him.

O'CONNELL

You're gonna get yours, pal!

Imhotep UNHINGES his jaw, his mouth stretches to an inhuman

size, he lets out one of his horrific, primordial SHRIEKS.

His disease-ridden disciples immediately begin pouring out

of the front doors of the museum and chasing after the car.

EXT. BAZAAR - NIGHT

The convertible hauls-ass down the narrow bazaar street.

Crazies start jumping out of stalls and LEAPING onto the

car. O'Connell and the others fight them off, throwing them

overboard. More people JUMP on. Jonathan SWERVES the car,

CRASHES through some stalls, knocking them off, but not

before they manage to open the back door and YANK Daniels

out. He TUMBLES across the pavement. Gets up SHOOTING. Backs

into a corner, FIRING his pistol into the hideous rabble,

killing several, keeping them at bay. His gun goes empty,

CLICK! CLICK! CLICK! But the mob stays back, looking at him

like rabid vultures. Daniels eyes them, filled with fear.

The mob parts like the red sea as Imhotep walks through them

and up to Daniels. Daniels whimpers in fear, tears pour down

his cheeks. Then he gets an idea, reaches into his pocket,

and pulls out his jewel encrusted SACRED CANOPIC JAR. He

holds it out for Imhotep. Imhotep takes it and grins. Through

his tears, Daniels grins back, hopeful that he'll be spared.

WE CUT WIDE: Somewhere in the middle of the crazed, diseased

mob, we hear Daniels give out A BLOOD CURDLING SCREAM ........

INT./EXT. CONVERTIBLE - STREETS - NIGHT

The convertible slowly motors down the narrow alleys. WE

DOLLY across the hood of the car from Jonathan to Evelyn to

O'Connell. Ardeth Bay and the Curator are still in the back.

All of them staring out the front windshield. Freaked-out.

Then suddenly one of the hideous ghouls CRASHES through the

windshield! Everybody SCREAMS. Jonathan hits the gas, loses

control, the car SLAMS into a wall. O'Connell grabs Evelyn.

O'CONNELL

C'mon! C'mon! Let's go! Let's go!

They all leap out of the car. But the angry, festering mob

quickly surrounds them. O'Connell quickly reaches into his

gunny-sack, pulls out a stick of dynamite, then reaches into

his pocket and pulls out a match. He looks around for a way

to light it, then reaches over and strikes it across Ardeth

Bay's stubbly face. Ardeth Bay YELPS. O'Connell holds the lit

match near the fuse.

The crazed, CHANTING mob gives O'Connell a wide berth,

staring at him and the others with insane, bloodshot eyes.

And then Imhotep steps through, --having fully regenerated,

he now looks as young and handsome and muscular as he did the

day he was buried alive. Evelyn stares at him.

EVELYN

He's gorgeous.

O'Connell gives her a look, the match burns his fingers. He

YELPS and throws it down, grabs another match and strikes it

across Ardeth Bay's face again. Ardeth Bay YELPS and gives

O'Connell a look to kill. The Curator shakes his head.

THE CURATOR

He has consummated the curse,

now all he need do is raise

Anck-su-namun from the dead,

then it will be the end of us,

and the beginning for them.

Imhotep moves forward, heading right for them. O'Connell

LIGHTS THE FUSE. Imhotep steps up to O'Connell and stops,

watching the fuse burn down. it's a game of chicken. The

tension mounts. The LIT FUSE is about to vanish inside the

stick of dynamite, blowing it up, --when Evelyn leans forward

and blows it out. O'Connell exhales, but keeps his eyes on

Imhotep, who extends his hand to Evelyn.

IMHOTEP

Koontash dai na.

Beni steps through the swarming mass, translating.

BENI

Take his hand and he will

spare the others.

Evelyn hesitates, looks around at the huge, bloodthirsty

crowd surrounding them, holding axes, picks and scimitars,

waiting to pounce, then she looks at Imhotep, confident,

powerful, invincible. Then she looks at O'Connell.

EVELYN

Any bright ideas?

O'Connell talks through angry, grit teeth.

O'CONNELL

Sorry, fresh out.

Evelyn looks back at Imhotep, then starts to reach out to

take his hand. Both O'Connell and Jonathan move to stop her,

--but Ardeth Bay grabs them both and holds them tight.

O'CONNELL

Don't do it, Evelyn.

EVELYN

I have no choice.

Evelyn's trembling hand touches Imhotep's: His hand closes

around hers. Nothing happens. Imhotep smiles.

IMHOTEP

Keetah mi pharos, aja nilo, isirlan.

BENI

Come with me my princess. It is

time to make you mine, forever.

Evelyn gives Beni a nasty look, correcting him--

EVELYN

All eternity, idiot,

Then she looks at O'Connell and puts on her best face.

EVELYN

You better think of something,

because if he turns me into a

mummy, your the first one I'm

coming after.

O'Connell almost smiles

O'CONNELL

Got guts, lady.

EVELYN

Yes, I know, and I'd like to

keep them.

Imhotep suddenly notices something. He reaches forward and--

RIPS THE KEY/BOX OUT OF JONATHAN'S UPPER JACKET POCKET.

JONATHAN

Hey that's mine--!

Ardeth Bay holds Jonathan back. Imhotep pulls Evelyn away.

O'Connell can't take it anymore, he tries to break free of

Ardeth Bay's grip.

O'CONNELL

Evelyn!

The huge, powerful man holds him tight.

ARDETH BAY

Be calm. There is still time.

we can stop him yet.

The crowd parts for Imhotep and Evelyn. And then Imhotep

stops and looks back at O'Connell.

IMHOTEP

Pared oos.

Evelyn SCREAMS.

EVELYN

NOOO!!

Beni smiles.

BENI

Kill them.

Imhotep pulls her away. O'Connell breaks free of Ardeth Bay's

grip and stumbles forward.

O'CONNELL

EVELYN!

But the rabid vultures are already moving in for the kill.

O'Connell quickly bends down, pulls open a CISTERN/MANHOLE

COVER and shoves Jonathan down inside it, then jumps in after

him. The Curator pushes Ardeth Bay towards the cistern hole.

CURATOR

Go! Find a way! Kill the creature!

The Curator turns and throws himself at the mob as Ardeth Bay

crawls down into the hole. The mob tears the Curator apart.

LastIndexNext

The Mummy

PART 11

INT. CATACOMBS - NIGHT

O'Connell, Jonathan and Ardeth Bay slosh their way down the

watery catacomb, crazies pouring in behind them. Up ahead, a

LIGHT suddenly shines in from another cistern hole, and then

more of the infected crowd drop down, SCREECHING like rats.

O'Connell jags right, pushing Jonathan and Ardeth Bay ahead

of him, he strikes a match off the wall, lights the nubby

fuse on a stick of dynamite, throws it, and runs like hell.

FIRE BLAST incinerates a bunch of crazies.

STREET - ALLEY - NIGHT

The EXPLOSION blows a cistern cover fifty feet into the air,

followed by a mass of FLAMMAGE ..............

EXT. ALLEY - NIGHT

A sewer grate is kicked out of a wall. O'Connell, Jonathan

and Ardeth Bay climb out of the hole and into AN ALLEY.

O'CONNELL

We gotta get her back.

JONATHAN

I'm with you, old man. No one

touches my sister like that and

gets away with it.

O'Connell looks at Ardeth Bay,

O'CONNELL

You know where he's taking her?

ARDETH BAY

Yes. To Hamunaptra. To perform

the ritual.

Jonathan looks worried.

JONATHAN

And what ritual would that be?

ARDETH BAY

The ritual to bring the body of

Anck-su-namun back to life.

JONATHAN

And how does one do that?

ARDETH BAY

By reading the Book Of The Dead.

JONATHAN

Oh yes, of course.

ARDETH BAY

And then killing your sister.

JONATHAN

Excuse me?

Ardeth Bay looks at O'Connell,

ARDETH BAY

Imhotep is now able to cross the

desert with great haste.

Jonathan taps him in the shoulder,

JONATHAN

Begging your pardon, but I wasn't

quite clear on that last part.

Ardeth Bay ignores him,

ARDETH BAY

If he arrives before us, it will

be too late.

JONATHAN

Did you say 'kill' my sister?

O'Connell smiles

O'CONNELL

I know how to beat him to it.

And on that WE SMASH CUT TO-- THE ERFOUD DUNES - DAWN

Jonathan's bashed-in convertible steams it's way up to a set

of semi-abandoned Quonset huts. A single WWI BIPLANE with

R.A.F. INSIGNIAS sits in the sand beside them. A SIGN READS:

HIS MAJESTY'S ROYAL AIR CORP

EXT. QUONSET HUT - DUNES - MINUTES LATER

O'Connell, Jonathan and Ardeth Bay stand before Winston

Havlock, the massive dunes of Erfoud as our background.

WINSTON

So what's your little problem

got to do with His Majesty's

Royal Air Corp?

O'CONNELL

Not a god-damned thing.

Winston looks intrigued.

WINSTON

is it dangerous?

O'CONNELL

You probably won't live through it,

This really interests him.

WINSTON

By Jove, do you really think so?

JONATHAN

Everybody else we've bumped into

has died, why not you?

Winston nods his head, he's hooked.

WINSTON

So what's the challenge then?

O'CONNELL

To save the damsel in distress,

kill the bad guy and steal his

treasure.

A slow grin spreads across Winston's face, then he gives them

a snappy salute.

WINSTON

Winston Havlock at your service, sir!

SAHARA - DAY

Way off across the desert, a large SAND-DEVIL races over the

dunes. The SANDY WHIRLWIND comes to a stop and starts to

dissipate. Evelyn and Beni are suddenly ejected out of it,

they land in a dune. The SWIRLING SAND CONDENSES AND FORMS

INTO IMHOTEP. He looks up into the sky, listening carefully.

Evelyn shakes the sand out of her hair and looks at Beni.

EVELYN

what just happened?

BENI

All I remember is him turning

into a blast of sand, ....and

then I remember nothing.

then they hear a plane in the sky and look up.

INT. BIPLANE - DAY

The WIND whips at Winston in the cockpit. O'Connell sits in

the gunner's compartment. Jonathan is strapped spread-eagle

across the left wing, Ardeth Bay is tied tight to the right.

Both men are scared out of their wits and SCREAMING in fear.

EXT. SAHARA - DAY

Imhotep's jaw UNHINGES, his mouth opens to an inhuman size,

he lets fly with another one of his horrible SHRIEKS. --And

a massive WALL OF SAND rises up out of the desert

BIPLANE - DAY

O'Connell watches the desert below him come alive and rise

up towards the plane. Winston looks over the side and sees

what's coming. He laughs, throws the throttle, and puts the

plane into a dive.

WINSTON

Hang on, men!

WE GO WIDE AS: The sandstorm chases the diving, twisting

biplane. Getting closer and closer, about to engulf it.

O'Connell looks back into the blinding sand and sees a GIANT

FACE forming inside the sandstorm. It's Imhotep. Grinning.

O'Connell grabs the Lewis machine-gun, cocks the bracket and

FIRES, blasting away at Imhotep's giant face inside the

sandstorm. Imhotep's face begins to laugh, then his jaw

unhinges, his mouth opens wide, and he ENGULFS the plane.

Winston blindly fights for control, elated.

WINSTON

We're going down!

The biplane SPINS inside the BLOWING SAND. Engines ROARING.

Wind HOWLING. Jonathan and Ardeth Bay SCREAMING. Winston

Havlock LAUGHING.

WINSTON

Here I come, laddies!

O'Connell braces himself for impact,

SAHARA - DAY

Evelyn leaps to her feet and runs over to Imhotep.

EVELYN

Stop it! You'll kill them!

Imhotep grabs her, pulls her close, her beautiful eyes stare

into his shockingly intense ones. Then he kisses her, hard.

Evelyn's eyes widen, stunned and mesmerized, then she pushes

herself away and falls back into the sand. Imhotep laughs.

EXT. BIPLANE - DUNES - DAY

The biplane SMASHES over a dune, ROLLS OVER and CRASHES

upside-down into another dune. The SAND SWIRLS as O'Connell

falls out of the gunner's compartment. The left wing is

jammed into the dune, Jonathan hangs upside down.

JONATHAN

Excuse me. ...A little help

would be useful. ...IF IT'S

NOT TOO MUCH TROUBLE!!

O'Connell goes to help Jonathan. Ardeth Bay stumbles over to

the gunner's compartment and tears the Lewis gun off it's

mount. He throws the machine-gun over one shoulder, a

cartridge belt over the other and staggers away. O'Connell

and Jonathan look into the cockpit. Winston Havlock is dead.

A smile on his face. The plane suddenly starts to move, the

sand sinks under their feet, they quickly high-tail-it away.

O'Connell, Jonathan and Ardeth Bay make it to some rocks and

look back. The biplane, with Winston Havlock inside, slides

away over a dune. O'Connell gives it a salute. The plane

vanishes over the dune and into the SWIRLING SAND ...........

HAMUNAPTRA - DAY

O'Connell, Jonathan and Ardeth Bay come down a ravine in the

volcano and look out over the ruins of Hamunaptra.

O'CONNELL

Okay, now what the hell does

this Horus guy look like?

JONATHAN

He's a big fellow with pointy

ears and a face like a falcon.

O'CONNELL

Got it

HAMUNAPTRA STAIRWAY - DAY

Carrying TORCHES, O'Connell, Jonathan and Ardeth Bay make

their way down a long, winding, narrow staircase. Heading

into the bowels of the necropolis. A passageway to hell.

NECROPOLIS - DAY

Evelyn follows Imhotep into the underground cemetery.

She stops at the sight of all the big hairy rats scurrying

through the mausoleums and over the gravestones. Beni shoves

his rifle into her back and pushes her forward.

BENI

Keep moving

Evelyn gives him a look.

EVELYN

You know, nasty little fellows

such as yourself, always get

their comeuppance.

Beni suddenly looks worried.

BENI

Yeah?

EVELYN

Oh yes, always,

Beni looks even more worried, he nervously starts chewing on

his lip. All three of them walk over the bridge crossing the

disgusting DETRITUS MOAT. Evelyn looks down at it, horrified.

INT. PASSAGEWAY - DAY

O'Connell and Ardeth Bay are busy digging out a collapsed

doorway. Jonathan notices an AMETHYST SCARAB on the far wall.

JONATHAN

I say, look at that.

He walks over and tries to jiggle it free. It comes loose in

his hand. He looks at the scarab in his palm. It starts to

glow. And then something inside it starts to WIGGLE.

JONATHAN

Say, gents! You should come

have a look at this.

The wiggling continues; a long, agonizing BEAT, and then the

scarab breaks out of it's cocoon and instantly BURROWS into

Jonathan's palm. Jonathan starts to freak out and SCREAM.

O'Connell runs up and rips the arm off Jonathan's shirt. The

scarab is now BURROWING UP JONATHAN'S ARM. O'Connell whips

out his butterfly-knife, snaps it open and grabs Jonathan's

arm. Jonathan's eyes widen in terror as the knife passes in

front of his face. Jonathan SCREAMS LOUDER, obviously being

cut open. O'Connell's hand flicks something away.

The scarab hits the floor and immediately starts scurrying

back towards Jonathan, wanting to finish the job.

O'Connell pulls out his gun and blows it away, --BLAM!

INT. CEMETERY - DAY

The GUNSHOT echoes into the cemetery as Imhotep, Evelyn and

Beni step6up to the strange ALTAR, where four thousand years

ago Imhotep tried to bring Anck-su-namun back to life.

Imhotep scowls at the sound and angrily reaches into a

CANOPIC JAR. He pulls out the crusted remains of Anck-su-

namun's heart, crushes it to dust in his hand and starts

reading from The Book Of The Dead. Then he BLOWS the dust

against a mausoleum wall, --THE WALL STARTS TO COME ALIVE.

Evelyn and Beni stare at the wall, both of them wide-eyed.

TWO FORMS emerge from the mausoleum's wall. Horrific-looking

mummified CORPSES. , Two of Imhotep's long dead Priests. They

bow to Imhotep,-then turn and move off down a passageway.

INT. PASSAGEWAY - DAY

O'Connell helps Ardeth Bay mend Jonathan's wound.

O'CONNELL

From now on, don't touch anything.

Not a damn thing. Keep your hands

off the furniture, got it?

Jonathan swallows hard and nods vigorously.

LastIndexNext

The Mummy

PART 12

INT. CEMETERY - DAY

Imhotep prepares the altar while speaking in HEBREW. Beni

holds his gun on her, translating:

BENI

Prince Imhotep wants your heart.

Evelyn blushes, feeling complimented by the handsome prince.

EVELYN

Tell him, I'm truly flattered.

... but that it's already taken.

Imhotep continues SPEAKING while laying the four jewel

encrusted canopic jars next to the shattered one.

BENI

He wants your heart and your

brain, your liver, your kidneys...

Evelyn's eyes widen

BENI

... and how do you say? Those

slimy things, in your stomach?

EVELYN

Intestines

BENI

Yeah! Them.

Evelyn can't believe it, she furiously turns to Imhotep.

EVELYN

You only want me for my organs?!

Imhotep looks at her and grins, then BACKHANDS her --WAP!

Evelyn goes down for the count. Imhotep stares at her, cold,

malevolent, then h e turns and walks off into the mausoleums.

Beni nervously glances around, then quickly scurries away.

TREASURE CHAMBER - DAY

O'Connell squeezes through a small crevice in a wall and

drops to the floor of a dark chamber. He picks up his gunny-

sack and scans the darkness. Something GLITTERS. Jonathan and

Ardeth Bay crawl in behind him.

O'Connell notices a SHAFT OF LIGHT, high above him, shooting

through a small hole in the ceiling and stopping against a

wall next to one of those mirror disks. O'Connell aims his

gun. FIRES. The bullet STRIKES the disk's pedestal, spinning

the mirror into the shaft of light, --And WHAM! THE SHAFT OF

LIGHT HITS THE DISK AND QUICKLY BOUNCES AROUND THE ROOM FROM

ONE DISK TO ANOTHER UNTIL THE WHOLE CHAMBER IS LIT UP.

It's an enormous TREASURE CHAMBER. Filled to overflowing.

Everything sparkles and shines. The wealth of Egypt.

O'Connell, Jonathan and Ardeth Bay are speechless.

that's when the two mummified Priest-mummies walk in.

O'CONNELL

who the hell are these guys?

ARDETH BAY

Priests. Imhotep's priests.

O'Connell pulls the elephant gun out of his gunny-sack.

O'CONNELL

I never killed a priest before,

ARDETH BAY

They are evil, cursed, they

matter not.

O'CONNELL

Well, okay then.

O'Connell FIRES the elephant gun. SMOKE and FLAME shoot out.

BLASTS one of the mummies. Blows it's upper torso clean off.

O'Connell pumps the gun, the huge spent cartridge flips

through the air. He FIRES again. BLASTS the other mummy,

b1ows this one's torso clean off as well. The smoke clears.

The two sets of LEGS keep walking forward, unaffected by the

loss of their upper torsos. O'Connell can't believe it.

O'CONNELL

Oh come on, gimme a break here.

And then the disemboweled upper torsos start to move, turning

over and crawling towards our heroes, who start to back away.

INT. CEMETERY -DAY

Imhotep turns from the altar as he hears more GUNSHOTS

echoing out of the passageways. He angrily reaches into

another of Anck-su-namun's canopic jars, pulls out her crusty

liver and crushes it to dust, then quickly starts reading a

passage from the Book and BLOWS the dust down a passageway.

IMHOTEP (ancient Egyptian - subtitled)

Kill them! Kill them all! And

bring me the Book Of The Living!

INT. TREASURE CHAMBER - DAY

A dusty BREEZE blows into the chamber as O'Connell, Jonathan

and Ardeth Bay back away from the mummy pieces. The floor

where they were just standing suddenly STARTS TO MOVE. Two

more mummies slowly dig their way up out of the floor. More

mummies start coming out of the walls and crawling out of the

piles of gold. All the mummies head for our heroes. O'Connell

lifts the elephant gun. Ardeth Bay stops him.

ARDETH BAY

My turn.

Ardeth Bay OPENS UP with the Lewis gun. BLASTING the shit out

of the mummies. They keep on coming. Even more now. O'Connell

OPENS FIRE with the elephant gun, pumping and FIRING as all

three of the men back away and haul-ass. The mummies and

mummy pieces follow them into the passageway.

Then Beni creeps into the chamber. He stares in wonder at all

the treasure. Then falls backwards into a pile of jewels and

rolls about.

INT. CEMETERY - DAY

Evelyn-wakes up, lying chained to the top of the altar.

She blink!, then turns her head, --and looks right into

the ROTTED FACE of Anck-su-namun's corpse. Evelyn SCREAMS.

INT. LABYRINTH PASSAGEWAYS - DAY

The elephant gun FIRES, blasting FLAME and SMOKE right into

the LENS. O'Connell, Jonathan and Ardeth Bay race down a

passageway, a dozen mummies striding after them.

O'CONNELL

This whole place is comin, alive!

The men race around a corner. More mummies. They race around

another corner. More mummies. Onward they come. Methodical.

Relentless. Boxing in our heroes. O'Connell and Ardeth Bay

FIRING as they go. Ardeth Bay goes empty.

ARDETH BAY

I'm out

He throws the machine-gun down and they all race into--

HORUS CHAMBER - DAY

--A small chamber. The lower half of the giant statue of

HORUS stands in the middle of the chamber.

JONATHAN

There he is!

They run up to the base of the statue,

JONATHAN

Hello Horus old boy.

O'Connell looks back at the mummies coming down the

passageway. He reaches into his gunny-sack and pulls out

a stick of dynamite. Ardeth Bay taps him on the shoulder.

ARDETH BAY

Allow me.

O'Connell hands him the dynamite and a match, then turns to

look at the statue. Ardeth Bay reaches forward and strikes

the match off O'Connell's stubbly face. O'Connell YELPS.

Ardeth Bay lights the dynamite and throws it down the

passageway. They all hit the deck. The dynamite EXPLODES.

Ripping apart the creatures, causing a CAVE-IN and sealing

the passageway with rock and dirt. Now there's only one way

out, --another dark, creepy passageway.

INT. CEMETERY

Chained tight to the top of the altar, Evelyn hopelessly

struggles to free herself. She stops as Priest mummies start

surrounding the altar. Evelyn is horrified as the hideous

mummies kneel down and begin to CHANT, --which now sounds

even more horrific due to the lack of tongues, jaws and

mouths in the room.

Imhotep steps up carrying the black Book Of The Dead.

His hand reaches out and lovingly caresses Anck-su-namun's

decayed cheek.

INT. HORUS CHAMBER - DAY

O'Connell and Jonathan are digging away at the seams of the

secret compartment, it starts to give. And that's when Ardeth

Bay spots another group of rotting mummies coming down the

dark passageway, heading right for them. O'Connell looks up.

O'CONNELL

These guys just don't quit.

Ardeth Bay grabs the elephant gun and a handful of shells and

runs off towards the mummies.

ARDETH BAY

Keep digging!

O'Connell and Jonathan redouble their efforts, pulling harder

on the seam. The compartment starts to loosen. About to give.

The last time this happened, salt acid sprayed out, remember?

Our heroes keep tugging. The tension mounts ................

And that's when a SKELETAL HAND BURSTS UP OUT OF THE GROUND

and grabs O'Connell's ankle. Several more moldy hands BURST

up out of the ground. O'Connell and Jonathan struggle with

the mummies as they crawl up out of the dirt floor.

One of the mummies violently shoves O'Connell away. Another

grabs Jonathan by the throat and starts to strangle him. A

third mummy grabs at the secret compartment and pulls hard.

AN INTENSE BURST OF ACID SPRAYS OUT OF THE SEAM AND HITS ALL

THREE OF THE MUMMIES. The one strangling Jonathan gets it in

the back and drops him. All three mummies melt horribly.

INT. CEMETERY

Imhotep begins to read from The Book Of The Dead.

A large SWIRLING HOLE starts to open in the detritus bog.

Evelyn's eyes widen in amazement and horror.

IINT. HORUS CHAMBER - DAY

Ardeth Bay BLASTS AWAY at the oncoming mummies.

over at the base of the statue, O'Connell and Jonathan pull

an ornate chest out of the secret compartment. O'Connell rips

off the lid, reaches inside and pulls out a heavy burlap bag.

He and Jonathan exchange nervous, excited looks. Then he

reaches into the bag and slowly pulls out the SOLID GOLD Book

Of The Living- GOLDEN LIGHT reflects off their faces as they

stare at it in wonder.

The elephant gun goes empty. Ardeth Bay takes it by the

barrel and wades into the remaining mummies swinging.

ARDETH BAY

Save the girl! Kill the creature!

The mummies quickly overwhelm and start to tear him apart.

O'Connell lights the last stick of dynamite and throws it

against the far wall. He and Jonathan hit the deck.

O'CONNELL

That's the last one, we better

get lucky.

The wall BLOWS. Debris COLLAPSES, --but now here's a hole for

them to get out. O'Connell and Jonathan race out through the

hole just as the remaining mummies enter the chamber.

EXT. HAMUNAPTRA RUINS - DAY

Outside, Beni staggers across the sand with a saddlebag

filled with treasure. He throws it over the rear of a camel.

Starts to climb up. Hesitates. Looks back at the temple door.

Licks his lips. And then his greed gets the better of him and

he quickly climbs down and scurries back towards the door.

LastIndexNext

The Mummy

PART 13

INT. CEMETERY - DAY

Imhotep READS from the Book. The rotten Priest-mummies rock

back and forth, CHANTING. Evelyn struggles.

Then suddenly, the strange MIST wafts up out of the swirling

hole and over to the sacred jars, it passes through them and

into Evelyn. Evelyn JERKS as though she's been electrified.

The MIST passes through her and into Anck-su-namun's body.

The CHANTING PRIESTS, SWIRLING HOLE, WAFTING MIST and

IMHOTEPIS READINGS reach a crescendo. Anck-su-namun's crusty

EYELIDS suddenly POP OPEN. Evelyn stares at her in disbelief.

Anck-su-namun's rotted head turns and looks at Evelyn with

empty sockets. Evelyn freaks out and struggles wildly, then

she notices Imhotep holding the ancient sacrificial knife.

IMHOTEP (subtitled)

with your death, my love and

I will be invincible!

He raises it up over Evelyn's chest, about to plunge it down.

Evelyn's eyes widen in horror And that's when O'Connell

and Jonathan BURST IN. Imhotep spins around and faces them.

Jonathan beams as he holds up the golden Book Of The Living.

JONATHAN

I found it, Evy! I found it

EVELYN

Shut-up and get me off of here!

O'Connell grabs an ancient sword out of a statue's hand,

jumps up onto a gravestone and leaps out over the Priests.

The Priest-mummies stop chanting. The MIST vanishes.

Imhotep steps forward. O'Connell STRIKES the sacrificial

knife out of his hand. Imhotep BELLOWS a command. The Priests

stand up, swords and knives in hand, they ATTACK O'Connell.

EVERYTHING HAPPENS AT ONCE, READ FASTER:

EVELYN

Open the book, Jonathan! Open

the book! That's the only way

to kill him!

O'Connell RACKS and CHOPS at the attacking Priest-mummies,

fighting his way to Evelyn. The skeletal creatures wildly

SWING their swords, trying to STAB O'Connell. Jonathan

fumbles with the book, struggling to open it, --he can't.

JONATHAN

I can't open it! It's locked

or something!

O'Connell CUTS two of the mummies in half, then swings his

sword down at Evelyn, --CLANG! One chain breaks free.

Jonathan spots a series of SOLID GOLD, FOUR-SIDED LOCKS

along the binder. It hits him like lightning--

JONATHAN

We need the key!

Imhotep grins, then grabs the KEY/BOX hanging from a chain

around his neck, rips it off and shoves it into his pocket

He picks up the sacrificial sword and heads for Jonathan.

JONATHAN

What do I do, Evy!? What do I do!?

EVELYN

Read the inscription on the cover!

O'Connell swings his sword down again, --CLANG! Evelyn now

has one hand and one leg free. More mummies attack O'Connell

force him back.

Jonathan quickly starts translating the cover inscription,

but his ancient Egyptian is clearly awful.

JONATHAN

.Keetash-something, naraba-something.

Jonathan starts to backpedal through the cemetery, clutching

the golden book; wide-eyed, as Imhotep moves in on him.

JONATHAN

Ebarra im hatu Kashka ummmmm--?

Jonathan trips and falls on his ass. Imhotep CHARGES FORWARD.

O'Connell SLASHES another chain. Only one more left holding

Evelyn. Jonathan sits up and quickly looks back at the cover.

JONATHAN

Rasheem Aaaaa ANUBIS!

Imhotep raises the sacrificial sword, about to kill Jonathan.

And that's when the giant statue of Anubis suddenly CRASHES

through the wall, --shades of Ray Harryhausen. only better.

The god of Deaths, horrible, decrepit STONE FACE stares

angrily down. Jonathan stares back.

JONATHAN

Oh boy

O'Connell DECAPITATES a mummy and looks up at Anubis.

O'CONNELL (sarcastic)

This just keeps gettin,

better and better.

Imhotep leaves Jonathan and heads for the giant statue.

O'Connell leaps over and with one last swing of the sword,

frees Evelyn from her chains. More Priest-mummies attack,

forcing him away. Evelyn jumps off the altar and starts to

head for O'Connell, --a SKELETAL HAND grabs her! Spins her

around. It's Anck-su-namun's rotted corpse. Evelyn reacts.

Imhotep looks up at Anubis, points to O'Connell, and in

ANCIENT EGYPTIAN commands him to attack. Anubis moves for

O'Connell, STOMPING over mausoleums and through the detritus

moat on his way. O'Connell quickly backs away.

O'CONNELL

Do something, Jonathan! Kill it!

JONATHAN

You have got to be joking?

Evelyn is backing away from Anck-su-namun.

EVELYN

Finish the inscription, idiot!

JONATHAN

Oh.

Anck-su-namun ATTACKS Evelyn. Evelyn fends her off as best

she can. Jonathan quickly looks back at the hieroglyphs on

the book cover, fumbling badly under the pressure-

JONATHAN

Ummm, Hootash im .... Hootash

im now what is this

last symbol here?

EVELYN

What's it look like!?

Anck-su-namun grabs Evelyn by the throat. The statue of

Anubis corners O'Connell, reaches down and GRABS him with

it's MASSIVE TALONS. O'Connell HACKS away at it. Jonathan

stares at the inscription, slightly oblivious.

JONATHAN

It's an Anck symbol, with two

little squiggly lines above it,

and a bird, a stork! on either side,

Evelyn is being STRANGLED by Anck-su-namun,

EVELYN

-Ah! Ah! Ahmenophus!

JONATHAN

Yes, ...I see.

The talons lift O'Connell up and start to CRUSH him.

JONATHAN

Hootash im Ahmenophus!

The giant statue of Anubis instantly freezes in it's tracks

and PETRIFIES. It's off balance. Starts to fall. O'Connell

slides free of it's talons. Evelyn SHOVES Anck-su-namun away,

Anck-su-namun looks up and opens her fetid mouth to scream

just as Anubis CRASHES DOWN on top of her, SMASHING HER to

powder and DRIVING her into the ground.

Imhotep SHRIEKS in rage and horror, then turns and angrily

heads for Jonathan. Jonathan, sitting on his ass, quickly

backpedals on his hands and heels.

O'Connell leaps to his feet, sword in hand and runs for

Imhotep. Imhotep grabs Jonathan, lifts him up, rips the

golden Book Of The Living out of his hand and pins him to a

wall.

O'Connell runs up and swings his sword at Imhotep, --WAP!

SLICES Imhotep's 'right arm off. It drops to the ground, still

clutching The Book Of The Living. Imhotep drops Jonathan and

spins around, facing O'Connell. O'Connell grins.

O'CONNELL

Okay pal, let's see how tough

you are without your right arm.

Imhotep grabs O'Connell with his left arm and THROWS him half

way across the cemetery. O'Connell SLAMS into a gravestone,

bounces off and crashes to the ground. He shakes it off.

O'CONNELL

Alright, ...so he's left handed

Imhotep is already striding towards him. Jonathan lifts up

his hand, --HE HAS THE KEY/BOX BACK! He smiles at Evelyn.

JONATHAN

I got it!

Evelyn runs for Jonathan.

O'Connell SWINGS his sword and CLEAVES a big chunk of molten

flesh rot out of Imhotep's stomach. on the outside, Imhotep

looks human, but on the inside he is still a rotten old mummy.

Imhotep BACKHANDS O'Connell. Knocks him twenty feet back.

O'Connell staggers to his feet. Imhotep is right there. CLUBS

him hard with his left arm. O'Connell spins through the air,

SLAMS into the side of a mausoleum. Imhotep approaches, rage

in his eyes. O'Connell gets up, quickly pivots and HACKS into

Imhotep's head. Imhotep grins and PUNCHES O'Connell in the

face. O'Connell is thrown back, pulling his sword with him.

He bounces hard off the mausoleum. Lands on his feet.

Totally beat-to-shit. Knees buckling. He can barely stand.

Jonathan lifts up the heavy gold book, --Imhotep's severed

hand still clings to it. Jonathan cringes in disgust. Evelyn

yanks it off, throws it away, then start furiously working

the key into the series of locks, unlocking each of them.

Imhotep strides forward. O'Connell backs into the mausoleum,

swings the sword, Imhotep tries to catch it, --it CLEAVES

through his palm and deeply imbeds itself into his forearm.

No matter, Imhotep rips the sword away from O'Connell and

casually flings it away.

The golden Book Of The Living opens with a HISS. Jonathan

holds it tight as Evelyn quickly turns the heavy gold pages

Looking for something.

O'Connell turns to run, but Imhotep grabs him by the throat

and lifts him off his feet. O'Connell hangs there, a dazed

mess. Imhotep grins, says something in ANCIENT EGYPTIAN, then

starts to strangle O'Connell. O'Connell chokes. About to die.

Evelyn turns and faces Imhotep and reads an inscription:

EVELYN

Kadeesh mal! Kadeesh mal!

Pared oos! PARED OOS!!

Imhotep pivots and looks at Evelyn, a look of sheer terror

on his face. Then he looks over at the detritus bog. Which

starts to BUBBLE and SHIFT. The SWIRLING HOLE begins to open.

And then suddenly THE SPIRITS OF THE EGYPTIAN GODS waft out

of the black bog and SWIRL around the Priest-mummies. The

mummies all collapse and turn to dust. And then the spirits

attack Imhotep. Lifting him and O'Connell up into the air.

Imhotep let's go of O'Connell, who falls to the ground.

Evelyn and Jonathan fearfully stumble away from the spirits,

Jonathan trips and falls and accidentally throws The Book of

The Living into the detritus bog. Evelyn watches as the

golden book sinks into the black putrescence. Jonathan looks

like he's about to cry.

Ten feet off the ground, the spirits SWIRL around Imhotep's

body, TWISTING IT and TURNING IT and slowly SHRIVELING IT.

Accompanied by the same strange FLASHING LIGHT we saw at the

beginning of the movie when Anck-su-namun was cursed. one

last HUGE FLASH, accompanied by a BLAST OF WIND, and Imhotep

is spit out and thrown to the floor. He staggers to his feet,

he looks perfectly normal. His body is completely intact.

O'Connell swings his sword. Imhotep jerks back. The sword

scrapes Imhotep's chest, --a swath of blood appears across

Imhotep's chest where the sword hit him. Imhotep touches the

blood on his chest, amazed and horrified. He's mortal.

O'Connell runs Imhotep through with the sword and shoves him

backwards. Imhotep stumbles back and falls into the detritus

bog. The sword still in his stomach.

Evelyn and Jonathan run up next to O'Connell. They watch as

Imhotep gently sinks into the fetid swamp, slowly dying. And

then, just before his head goes under, Imhotep looks up at

them, grins broadly, and says something in ANCIENT EGYPTIAN.

Evelyn translates:

EVELYN

Death is only the beginning.

Imhotep's grinning face vanishes under the black bile

STAFF CHAMBER - DAY

Beni staggers across a chamber, straining under the weight

of another saddlebag filled with treasure. He spots a large,

ornate STAFF sticking out of a wall. He throws the saddlebag

over the staff and collapses against the wall. Exhausted.

A BEAT. And then the weight of the treasure PULLS THE STAFF

DOWN. Which starts a massive AURAL CHAIN-REACTION.

Beni-backs away from the wall, wide-eyed, filled with fear.

ALL THE WALLS START TO SINK INTO THE GROUND. Driven by tons

of pouring sand. Beni turns and hauls-ass out of the chamber.

CEMETERY - DAY

O'Connell, Evelyn and Jonathan look around as all the walls

start to DESCEND. O'Connell grabs Evelyn's hand.

O'CONNELL

C'mon!

He pulls her forward and all three of them race past sinking

pillars. They duck as they run into a descending doorway.

INT. PASSAGEWAY - DAY

Beni scampers down a passageway, the ceiling getting lower

and lower until he has to crouch. And then he has to stick

the TORCH between his teeth and crawl on his hands and knees

INT. TREASURE CHAMBER - DAY

O'Connell, Evelyn and Jonathan crouch-run into the treasure

chamber. Evelyn skids to a stop. Looks in wonder at all the

treasure. SAND rains down on them. O'Connell grabs her again

and quickly pulls her through the mounds of treasure towards

a SINKING DOORWAY on the far side of the room. The SOUND of

the sinking walls is deafening.

Beni crouch-runs into the treasure chamber. O'Connell, Evelyn

and Jonathan race past him. He joins them as they run up a

staircase. heading for a DESCENDING DOORWAY, which is already

half gone, it's now only four feet high -- now three feet

high -- now two feet. Jonathan dives through the narrow gap.

Then O'Connell dives through, he spins around. Evelyn dives,

but gets stuck in the middle, about to get cut in half.

O'Connell grabs her arm and YANKS her through in the nick of

time. Beni reaches through the narrowing gap with his hand--

BENI

O'CONNELL!!

O'Connell grabs it, but it's too late. Beni yanks his hand

back just as the top of the door CRASHES to the floor.

Sealing him in. Beni quickly crawls back down the stairs as

the ceiling SLAMS down behind him. He stands up and looks

around with his diminishing torch.

All the doorways FINISH CLOSING. There's no way out. He's

trapped. And then he hears something, and turns around. Over

in the corner, a scarab-beetle stares at him, CHITTERING.

Beni waves his flickering torch at the scarab and backs away.

BENI

Go away

He stands in the middle of the treasure chamber as dozens

upon dozens of scarabs boil up out of the floor around him.

Beni is absolutely terrified. The scarabs start to move in.

And that's when Beni's torch goes out. PITCH BLACK. A BEAT.

And then we hear Beni start SCREAMING in horror and pain.

And the scarabs CHITTERING hungrily.

EXT. HAMUNAPTRA - DAY

The temple COLLAPSES as O'Connell, Evelyn, Jonathan and a

pack of stray camels race through the ruins. A SINKING

CREVICE DROPS OUT right behind them. Chasing them out through

the front gates. The whole place RUMBLES ominously.

They make it down the ramp as more ruins CRASH DOWN behind

them. A MASSIVE CLOUD OF SAND AND DUST billows out over the

wall and into the air. our heroes and all the stray camels

race out into the desert ..........

SLOW DISSOLVE TO:

EXT. PLATEALT - DAY

O'Connell, Evelyn and Jonathan stand in the middle of the

plateau, surrounded by stray camels. They stare off at the

sandy, dusty, volcano as it continues to RUMBLE-ominously.

JONATHAN

Well, ...I guess we go home

empty handed.

O'Connell looks at Evelyn

O'CONNELL

Wouldn't say that.

Evelyn returns the look, A BEAT, and then she wraps-her

arms around his neck and kisses him. O'Connell ret urn s it.

Jonathan just rolls his eyes, snorts in disgust and climbs

up onto a camel.

When the kiss is-over, O'Connell and Evelyn share a smile,

then O'Connell leaps up into the saddle, reaches down, grabs

Evelyn's hand and pulls her up behind him. Evelyn wraps her

arms around his waist. O'Connell and Jonathan slap the reins.

O'CONNELL/JONATHAN

TUK-TUK-TUK!!

The camels start to move out. WE PAN DOWN: to the saddlebag

behind Evelyn, hidden under the closed back flap, --we can

see that it's filled with Beni's stolen TREASURE.

O'Connell, Evelyn and Jonathan ride off into the SUNSET.

THE END

LastIndex

  

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