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编辑词条 杀手没有假期目录[隐藏]
详细资料
演职员表
上映日期
制作发行
剧情介绍
幕后制作
影片花絮
剧照
精彩对白
穿帮镜头
影片简评 详细资料
演职员表
上映日期
制作发行
剧情介绍
幕后制作
影片花絮
剧照
精彩对白穿帮镜头影片简评
[编辑本段]详细资料
片名： 《杀手没有假期》 (In Bruges)
时间：2008年
更多中文片名：在布鲁日
更多外文片名：Apostoli stin Bruges .....Greece
Bons baisers de Bruges .....France
Brügge sehen... und sterben? .....Germany
Kukkoilijat .....Finland
Najpierw strzelaj, potem zwiedzaj .....Poland
In Bruges - La coscienza dell'assassino .....Italy
Na Mira do Chefe .....Brazil
影片类型：剧情 / 喜剧
片长：107 min
国家/地区：英国 比利时
对白语言：英语
色彩：彩色
幅面：35毫米胶片变形宽银幕
混音：杜比数码环绕声 DTS
评级：Rated R for strong bloody violence, pervasive language and some drug use.
级别：Canada:14A Ireland:16 Finland:K-15 South Africa:16LV Germany:16
Canada:13+ UK:18 Netherlands:16 Canada:18A USA:R
拍摄日期：2007年2月2日 - 2007年3月28日
制作日期：2007年2月 -
摄制格式：35 mm
洗印格式：35 mm .....(anamorphic)
官方网站：Focus Features
Official site
SND [fr]
[编辑本段]演职员表
导演 Director：马丁·麦克道纳格 Martin McDonagh
编剧 Writer：马丁·麦克道纳格 Martin McDonagh
演员 Actor：拉尔夫·费因斯 Ralph Fiennes
柯林·法瑞尔 Colin Farrell .....Ray
布莱丹·格里森 Brendan Gleeson .....Ken
塞伦·希德 Ciarán Hinds .....Father McHenry
克蕾曼丝·波西 Clemence Poesy .....Chloe
斯科拉·鲁特 Thekla Reuten .....Marie
杰瑞米·雷乃 Jérémie Rénier .....Erik
Theo Stevenson .....Tobias
Mark Donovan .....Overweight Man
Jordan Prentice .....Jimmy
艾力克·高敦 Eric Godon .....Yuri
Ann Elsley .....Overweight Woman
Rudy Blomme .....Ticket seller
Emily Thorling .....Overweight Woman
Elizabeth Berrington .....Natalie
Olivier Bonjour .....Film Director
Jean-Marc Favorin .....Policeman
Zeljko Ivanek .....Canadian Guy
Sachi Kimura .....Imamoto
Anna Madeley .....Denise
Louis Nummy .....Harry's Child #3
Inez Stinton .....Kelli
Angel Witney .....Harry's Child #2
Bonnie Witney .....Harry's Child #1
制作人 Produced by：Jeff Abberley .....executive producer
Julia Blackman .....executive producer
Graham Broadbent .....producer
Peter Czernin .....producer
Tessa Ross .....executive producer
Ronaldo Vasconcellos .....line producer
Sarah Harvey .....co-producer
原创音乐 Original Music：Carter Burwell
摄影 Cinematography：Eigil Bryld
剪辑 Film Editing：Jon Gregory
选角导演 Casting：Jina Jay
艺术指导 Production Designer：Michael Carlin
美术设计 Art Direction by：Chris Lowe
布景师 Set Decoration by：Anna Lynch-Robinson
服装设计 Costume Design by：Jany Temime
视觉特效 Visual Effects Supervisor：Richard Briscoe
副导演/助理导演 Assistant Director：Matthew Penry-Davey .....first assistant director
Charlie Reed .....third assistant director
Lance Roehrig .....second assistant director
[编辑本段]上映日期
美国 USA 2008年1月17日 ..... (Sundance Film Festival)
美国 USA 2008年2月8日 ..... (limited)
爱尔兰 Ireland 2008年2月15日 ..... (Dublin Film Festival)
波兰 Poland 2008年2月29日
爱尔兰 reland 2008年3月7日
冰岛 Iceland 2008年3月19日
希腊 Greece 2008年4月3日
以色列 Israel 2008年4月17日
英国 UK 2008年4月18日
德国 Germany 2008年5月15日
俄罗斯 Russia 2008年5月15日
意大利 Italy 2008年5月16日
匈牙利 Hungary 2008年5月29日
印度 India 2008年6月20日
法国 France 2008年6月25日
荷兰 Netherlands 2008年6月26日
比利时 Belgium 2008年7月2日
西班牙 Spain 2008年7月18日
阿根廷 Argentina 2008年7月24日
芬兰 Finland 2008年8月1日
巴西 Brazil 2008年9月5日
新西兰 New Zealand 2008年11月13日
[编辑本段]制作发行
制作公司：Blueprint Pictures
Film Four
Film4 ..... (funding)
焦点电影公司 Focus Features [美国]
Scion Films Limited
Scion Films
发行公司：焦点电影公司 Focus Features [美国] ..... (2008) (USA) (theatrical)
Odeon [希腊] ..... (2008) (Greece) (theatrical)
Paradise Group [俄罗斯] ..... (2008) (Russia) (all media)
Universal Pictures International ..... (2008) (Netherlands) (theatrical)
Paris Filmes [巴西] ..... (2008) (Brazil) (theatrical)
Scanbox Finland [芬兰] ..... (2008) (Finland) (theatrical)
Tobis Film GmbH & Co. KG [德国] ..... (2008) (Germany) (theatrical)
Universal ..... (2008) (UK) (DVD)
其它公司：ARRI Media ..... camera and grip equipment provided by
Gearbox (Sound and Vision) Ltd. [英国] ..... additional ProTools systems supplied by
Pivotal Post [美国] ..... Avid editing equipment provided by
Translux ..... facilities
ARRI Lighting Rental Limited [英国] ..... lighting
Dolby Laboratories [美国] ..... sound mix
Film4 ..... development/funding
Kodak Limited [英国] ..... motion picture film supplied by
Lakeshore Records [美国] ..... soundtrack
Compuhire ..... 24 frame playback
Hothouse Music ..... music supervision
[编辑本段]剧情介绍
版本一
两名职业杀手雷（柯林·法瑞尔）和肯（布莱丹·格里森），在伦敦刚摆平一桩棘手的任务后，被他们的老板亨利（拉尔夫·费因斯）指示，来到比利时布鲁日度假放松心情，不料却与当地人及游客发生纠纷，假期变成梦魇，他们才发现老板叫他们来度假可能别有用心。
版本二
比利时的西北部城市布鲁日是自一座自中世纪以来传承至今的古老城市，受到世界各地旅游爱好者的青睐。然而对于两位职业杀手雷（柯林·法瑞尔饰）和肯（布莱丹·格里森饰）来说，来这里度假就不是那么轻松的事情，是凶是吉可谓是前途未卜。
正值圣诞节前夕，在伦敦的顶头上司哈利（拉尔夫·费因斯饰）把他们派遣到布鲁日去呆几个星期，或许将有重要任务需要去完成。
身处在哥特式建筑之中，四周环绕着运河，岸上是铺着鹅卵石的街道，两位杀手在这里的日子过得仿佛和普通游客一样。只不过伦敦往日的血雨腥风依旧在脑中挥之不去，雷对此地深恶痛绝；肯则恰恰相反，始终保持着仁爱之心，努力去寻找这座城市的美丽与宁静，发现它的有趣和可爱之处。
时间一天天过去，他们一直在等待哈利的命令，他们的经历也逐渐变得离奇诡异。他们在这里与当地人、旅游者遭遇到的怪事，以及一个美国演员在拍摄当中的欧洲电影，荷兰妓女，还有雷的一段有可能发生的罗曼史，一个名叫柯儿（克蕾曼丝·波西饰）的女孩，或许她也是来此执行某个秘密任务。
终于哈利的电话打了过来，肯和雷的假期转瞬间成为了生死攸关的战斗……
[编辑本段]幕后制作
本片导演马丁·麦克道格纳1971年出生于英国伦敦，父母是爱尔兰人。上个世纪九十年代开始发表和公演戏剧作品，成为英国皇家国家剧院的一名剧作家。凭借在百老汇上映的戏剧《The Beauty Queen of Leenane》（1996），麦克道格纳获得了美国戏剧界的最高荣誉托尼奖四项大奖。他还执导了一部短片电影《六位枪手》(Six Shooter)，2005年凭借此片荣获奥斯卡最佳短片奖。《杀手没有假期》是他执导的电影长片处女作，由柯林·法瑞尔和布莱丹·格里森领衔主演。
[编辑本段]影片花絮
拍摄期间正是三月底，为了营造节日气氛，摄制组准备在布鲁日城的一些街道加上圣诞节装饰物。为此，布鲁日市议会还专门发布了一份政府公文向市民说明缘由。
在这部107分钟的电影里，“fuck”这个单词以及由此衍生出来的词语被提到过126次，也就是平均每分钟就有人说到1.18次。
《杀手没有假期》获得2008年第九届金预告片最佳原创作品奖。
本片是2008年圣丹斯电影节的开幕影片。
科林.法瑞尔凭借此片夺得第66届美国电影金球奖最佳音乐/喜剧类影片男演员
[编辑本段]剧照
[编辑本段]精彩对白
Ken: Coming up?
肯：上来吗？
Ray: What's up there?
雷：上面有什么？
Ken: The view.
肯：风景。
Ray: The view of what? The view of down here? I can see that down here.
雷：什么样的风景？这儿下面又是什么样的？我可以在下面看。
Ken: Ray, you are about the worst tourist in the whole world.
肯：雷，你是全世界最最糟糕的旅游者。
Ray: Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was retarded, Bruges might impress me but I didn't, so it doesn't.
雷：肯，我从小在都柏林长大，我爱都柏林。如果我是在一个农场长大而且还是笨蛋，那么布鲁日也许会打动我，可是我不会，就是不会。
--------------------------------------------------------------------------------
Ken: Your girlfriend's very pretty.
肯：你的女朋友真的很漂亮。
Jimmy: She's ain't my girlfriend. She's a prostitute I just picked up.
吉米：她不是我女朋友，她只是个妓女，我刚才挑到的。
Ken: I was not aware that there were any prostitutes in Bruges.
肯：我还不知道布鲁日有妓女。
Jimmy: You just have to look in the right places... brothels are good.
吉米：你只是要到合适的地方去看看…那些地方很不错。
Ken: Well, you've picked up a very pretty prostitute.
肯：是的，你已经挑到了一个非常漂亮的妓女。
Jimmy: Thank you.
吉米：谢谢。
--------------------------------------------------------------------------------
Ray: What are they doing over there? They're filming something. They're filming midgets!
雷：他们在那里干什么？他们在拍东西。他们在拍侏儒！
Ken: Ray...
肯：雷…
Ken: Ray, come on. Let's go.
肯：雷，过来。我们走吧。
Ray: Fuck off, Ken. They're filming midgets.
雷：去你的，肯。他们在拍侏儒。
[编辑本段]穿帮镜头
“不喝则满”的酒：有一场戏是肯在酒吧里二十分钟之内喝了四瓶酒，酒吧间招待员于是新开了一瓶。当时看到的这瓶酒并不全满，摄影机换了一个角度的时候可以看到酒瓶竟然变得满满的。
·难以洞察的小错误：肯和雷常住的酒店名字是“De Rozenkransje - Brugge”，其中“Brugge”是小城布鲁日（Bruges）的佛兰德语。实际上这家酒店的名字犯了一个语法错误，没有用对冠词，“Rozenkrans”的意思是玫瑰花园，原本应该在前面加上冠词“de”，但这里的“Rozenkransje”却是小称应该加“Het”这个冠词。不过话又说回来，即使是非常精通佛兰德语或者德语的人，如果不是其母语，这通常也是一个很难发现的错误。
[编辑本段]影片简评
这部影片是英国导演马丁·麦克唐纳的电影处女作，此人可算一奇才。之前他只拍过一部短片，就获得了2004年奥斯卡最佳短片奖。而在电影之前，他却是以戏剧编导的身份扬名。《伊尼希摩尔的中尉》、《枕头奇案》帮助他获得了两个劳伦斯-奥利弗舞台剧奖和四个托尼奖的提名。这两部剧都是黑色喜剧，和《杀手没有假期》风格类似。说到英国的黑色喜剧，特里·吉列姆和盖·里奇是其中最杰出的代表，当然二者的区别显而易见，从题材来看，讲述黑帮打打杀杀的故事似乎更像盖·里奇，但就如同《好莱坞报道者》的评价，“你以为自己对杀手类型的电影了如指掌了吗？马丁·麦克唐纳用他的处女作让你大吃一惊，混合了众多老式元素，加入了一些独创的风格，炮制出这部前无古人的杀手电影”，这种评价并非个别现象。作为圣丹斯电影节的开幕片，《杀手没有假期》获得的好评即在意料之中，又留下了小小遗憾，因为本片风格过于怪诞，只能在美国少数几家影院上映。商业前景不容乐观。而其舞台剧风格的台词能否让老美和其它国家的影迷接受，也是一个疑问。重新包装的优秀戏剧改编电影《历史系男孩》，就体会过“外国人”的白眼。如果马丁·麦克唐纳能扭转这中劣势，说不定会带动英国舞台剧和英国黑色喜剧两种截然不同的艺术形式，在未来几年内更多的“合作”。李琼斯/文
一句话评论：
在《杀手没有假期》中，英国强盗片换了副面孔，它或许不算是新颖的，但它是在熟悉的类型片中一次完美地创新：混乱的，边缘的，非常非常有趣。——《帝国杂志》
《杀手没有假期》实质上正是一部喜剧，令人开怀大笑、鲜活生动。——《纽约时报》
毫无疑问虽然这也是一部惊悚片，当影片随着人物走到终了，观众所获得的感动要远远多过对故事情节的需要。——《芝加哥太阳报》
两位杀手主角展开的“哲学”对话——关于生活和彼此所从事的奇异职业，甚至比《低俗小说》中塞缪尔·杰克逊和约翰·特拉沃塔之间的交流还要搞笑。——《卫报》
一部黑色喜剧，独特新颖的魅力和精神，这是一部值得一看的有趣之作。——Tiscali英国
扩展阅读：
1.杀手没有假期: http://www.qvodku.cn/dz/416.html
2.http://ifuzhu.com/subtitles/89952.htm
3.观看地址:http://www.22ys.cn/dz/13469
4.在线看地址:http://www.duuke.cn/movie/40145
5.新浪娱乐http://ent.sina.com.cn/m/f/inbruges/
6.http://www.mtime.com/movie/72427/
7.http://bbs.cnxp.com/viewthread.php?tid=1231291&extra=page%3D7
开放分类：
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杀手没有假期 In Bruges
放在你的blog里!
编剧: Martin McDonagh
导演: Martin McDonagh
主演: Colin Farrell / Brendan Gleeson / Ralph Fiennes
制片国家/地区: 英国 / 美国
上映日期: 2008-02-08 >更多
语言: 英语 / 德语
又名: 在布鲁日
imdb链接: tt0780536
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>还没有注册... 剧情简介 · · · · · ·
2008圣丹斯电影节（日舞影展）开幕电影。 由获奖的爱尔兰剧作家马丁-麦克多纳(Martin McDonagh)编写并执导，是他的长片导演处女作。麦克多纳曾凭借《The Beauty Queen of Leenane》和《The Lieutenant of Inishmore》两度获得托尼奖提名。他还执导了一部短片《六位枪手》(Six Shooter)，2005年他凭借此片荣获奥斯卡最佳短片奖。
两名职业杀手雷(柯林法洛)和肯，在伦敦刚摆平一桩棘手的任务后，被他们的老板亨利(雷夫范恩斯)指示，来到比利时布鲁日度假放松心情，不料却与当地人及游客发生纠纷，假期变成梦魇，他们才发现老板叫他们来度假可能别有用心....
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简短评论 · · · · · · ( 全部 2916 条 ) 我来说两句 0 有用 布衣苏梦枕 2008-07-13 没耐心，折磨人，柯林法瑞尔一点演技也没有，沦落到这种地步，吐血/
0 有用 boks 2008-06-18 1,柯林的表演有学习德尼罗的倾向；2，港化，无间团队可以翻拍，or老杜的作坊也成；3，事关救赎、荣誉，色调和音乐都很出位
0 有用 standalone 2008-09-08 令人难忘的布鲁日风情，08最大惊喜
0 有用 Tony 2008-09-30 Hey guys, I wouldn’t go up there, it’s really narrow.
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>还没有注册... 冰炭置我肠 森林的火焰
出戏看过很久了，一直向人推荐说好说好。除了几个英国来的人心领神会以外，别处好象都沉了大海。于是我决定很没眼色地，痛说一说怎么个好法儿。顺手推广一下我顶喜欢的英国电影。 象所有其它的英国电影一样，打虎亲兄弟，上阵父子兵，电影里露的甭管大脸小脸，总是那些英国的脸。半部哈里波特都出现了：主角之一的老杀手是疯眼汉 Bre...... (109回应)
2008-06-06 321/340有用
出戏看过很久了，一直向人推荐说好说好。除了几个英国来的人心领神会以外，别处好象都沉了大海。于是我决定很没眼色地，痛说一说怎么个好法儿。顺手推广一下我顶喜欢的英国电影。
象所有其它的英国电影一样，打虎亲兄弟，上阵父子兵，电影里露的甭管大脸小脸，总是那些英国的脸。半部哈里波特都出现了：主角之一的老杀手是疯眼汉 Brendan Gleeson，黑帮老板是伏地魔Ralph Fiennes，年轻杀手闯下大祸的project，被杀的神父是斯内普Alan Rickman。
全世界的人都有偏见，或者说，叫stereotypes。英国人也不例外。可是英国人的stereotype编派得特别生动。白象一样庞大的美国一家三口，极度环保的加拿大人，比利时旅游景点的售票员不可理喻的无礼，阿姆斯特丹出名的满街都是妓女。老人热爱中世纪艺术，年轻人只对美女感兴趣。这些陈腐旧套如果放到好莱坞，也不过是多发一遍霉而已；在英国人手里就全都不同了。英国人不讲扼杀创意的极度政治正确。一点都不奇怪：从维多利亚时代风气幸存下来的文化，还有什么伪善没见过，不敢嘲笑的？
喜剧片看得多，黑色幽默也看得多，但是象In Bruges这样，一秒钟让人哭一秒钟让人笑的喜剧片还真的不多见。到电影渐渐进入紧张的时候，肝肠胃肺都拧到了一起。老杀手死去的一刻我真的马上要哭出来，一分钟以后黑帮老板诅咒一声掏出地图，我又要笑喷了。如是几次三番，从开头笑到最后。可是灯光明亮走出电影院，如果刚好有记者问我：你认为这是喜剧片吗？我可能答不出，揉揉红肿的眼睛。
很多美国电影为了抓人眼球，总是弄一个耸人听闻的开头，外星人都思不来的故事结构，再在电影的后半部分匆匆把所有情节和人物从四面八方收拢来，生硬地用钢丝拧在一起，让人在电影结束时生出咒骂“How dare you..."的冲动。In Bruges完全不是。每个人都个性鲜明，从开头到场结尾丝毫未变。混黑社会的几个男人，开旅馆的正怀着孕的老板娘，打心眼里讨厌外国人外地人的售票员，阴柔有钱的比利时枪贩子和他不争气混街头的蠢儿子。然而写电影的人把他们象七巧板一样拼成一出纵横来去的电影，处处用榫头严密地衔接起来。比起来，好莱坞电影根本是没揉开的，夹着生面疙瘩的面团。
我尤其喜欢的是剧中人的人格魅力。人格魅力不一定非是高大全人物才有，刘慧芳那就不能算人格魅力，那是“神格”，用现代网络语言来讲，恐怕要叫“雷格”。人格魅力就是，某个人身上那一点让人心生感动或欣赏的东西，就是人有时候不会放弃的一点坚持、固执或者宽容。现在流行的是分斤拨两世界观，理直气壮声称自己平生至爱是真金白银，把一切都折算成现金现美金（最近风头不好，可能要换现欧元），是相当时髦的人格。并不是我清高，而是人们普遍高估了经济砝码在自己和他人心目中的重量，尤其是在大部分人的生活早已免于冻饿之苦的年代。中国古话说“有钱能使鬼推磨”，其实现实中钱甚至不能使活人不怄气。年轻杀手误伤男孩以后的懊悔，老杀手对年轻杀手的爱护，冷血且有情绪控制问题的黑帮老板的坚持原则，怀孕的女旅馆老板的勇敢，都让人觉得他们活生生的能随时走近来。年轻杀手第一晚去和漂亮女孩约会，一粒扣子解开又系上，系上又解开，如是三番。老杀手看在肚里，又好笑又体谅。黑帮老板和老杀手决斗前在街头酒馆对酌，背后笑话卖枪的比利时人是在家里练瑜珈的。那轻松的朋友一刻稍纵即逝，然而没了它就完全不能解释后面的情节发展。
当然所有的英国电影里我百看不厌的是那些人都穿得那么齐整。他们的西服和大衣完美合身，不象美国人的裤子总垮着，肩膀总耸着，领子总张着。电影结束以后，我念念不忘的是旅店女老板美丽的奶油白色大衣和桃红围巾，想着自己什么时候也一定要买一件。
2008-06-06 09:43 | 109回应
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>还没有注册... 从今若许闲乘月 叶流征(既不回头，何必不忘。)
叶流徵 2008.6.20 《杀手没有假期》如Ray手中那支冰激凌为我们的盛夏增添了几许凉意。全英伦的班底将他们独特的幽默与整个影片相揉合，使银幕前的我不时会心一笑。但看完全片，我却再难笑出声，苦涩的思考已然替代了风趣的台词。 导演Martin McDonagh同时也是影片的编剧，在将其从文字...... (58回应)
2008-06-20 83/93有用
叶流徵
2008.6.20
《杀手没有假期》如Ray手中那支冰激凌为我们的盛夏增添了几许凉意。全英伦的班底将他们独特的幽默与整个影片相揉合，使银幕前的我不时会心一笑。但看完全片，我却再难笑出声，苦涩的思考已然替代了风趣的台词。
导演Martin McDonagh同时也是影片的编剧，在将其从文字演绎为电影时保持了文本的原汁原味，穿梭整个影片的冷幽默此起彼伏，使观众在107分钟内始终保持着高度集中的注意力。Ken对三个美国胖子戏谑的嘲讽：Hey guys, I wouldn’t go up there, it’s really narrow.
Ray和Chloe被捉奸在床还不忘小幽一默：And I haven’t fucked her, anyway. Ask her, I’d only put me hand on it! 甚至当Eirik抱怨眼睛失明时Ray盛怒之下仍吐槽以对：
—I can’t see!
—Of course you can’t fucking see! I just shot a blank in your fucking eyes!
在塔中Water面对来报料的Eirik.先是调侃一番：
—It’s Eirik.
—The blind boy?
—Yeah…yes.
如此种种，角色的个性在诙谐的对白中鲜活起来，McDonagh塑造人物的功力可见一斑。
影片以Ray误杀儿童后的忏悔为感情主线，布鲁日之行实际上是主角的一次心灵救赎之旅。有那么几个镜头印象极深：Chloe深情亲吻Ray后说Call me, please.时的动人表情；Ray喝酒前必说一句This is the life. 但当他提着酒瓶来到长椅上对旁边的小熊说出这个句子时，小熊的头掉了下来，Ray的表情霎时僵住，他一定是想起了教堂里无辜罹难的孩子；Ken接到Mr. Water的电话，竭力为Ray开脱，当他终于意识到一切都无法挽回Ray必死无疑时眼中即将喷涌而出的热泪；清晨当Ray睁开双眼，一行清泪滑过他的脸庞（他心上的巨石从未移开半分），圣歌般的爱尔兰民谣On Raglan Road响起，前方似乎是通往救赎的光明之路，然而与此同时Ken正在去Yuri家的路上——去取武器刺杀Ray，“光明之路”竟通向地狱，生活中很多时候便是如此，当我们悲悯他人时可能自己的处境反而更值得悲悯些；结尾处Ray逃亡时BGM钢琴的颤音恰到好处渲染了紧张的氛围——出彩的OST是本片成功的关键。
因着凄婉的主题，冷峻的台词也夹杂了温情，屡屡在不经意间波动观众的心弦。旅馆主怀有身孕，出于对孩子的忏悔Ray塞给她二百欧元，这一下意识的举动却揭开了她紧掩的心扉，于是她告诉Ken：I don’t want to appear ungrateful, but it seemed like all the money he had.于是当Mr. Water 追杀到旅店时她义无反顾地站出来庇护Ray——不是因为钱，是因为Ray对孩子的关怀——尽显母性的伟大。McDonagh将多维的人性表现的惟妙惟肖。Ray被抬到担架的路上有一段内心独白：If I thought I’ll go to that house, apologize to the mother there, and accept whatever punishment she chose for me. Prison, death, you know, I wouldn’t be in fucking Bruges. But then, like a flash, it came to me, and I realized…借Ray之口将主题直白地表达给观众。值得一提的是此处运用的镜头淡出技巧，首创于同样题材同样地域同样悲情的法国电影《这个杀手不太冷》（法国与比利时一衣带水）。
McDonagh颇具匠心地活用象征手法，使影片达到精神意义上的统一。首先是侏儒对小孩子的象征，Ray与神父之死的对比，Water同样是持枪站在奄奄一息的Ray身后，同样是腹部火器贯通，同样是误杀了无辜者。Ray获得了Water的理解，却并未获得救赎——后者直接饮弹自尽，把这微薄的理解带到了地狱。其次是欧洲人对规则的象征，正如北美人象征规则的破坏者——多么露骨的讽刺呵。
影片中借助文字传达讯息的纸媒体多次出现，表意直观。如教堂里小男孩手中的便笺：
1. Being moody
2. Being bad at maths
3. Being sad
及Ken留在旅馆中的遗嘱：My last will and testament. Ray 犹豫着要不要打开，这时Water追了进来。这封遗嘱成了片中最大的悬念。
相比对白的推敲，导演同样注重角色心理刻画。Ray举枪瞄准Water，只消扣动扳机便可终结一切，但他迟疑了：不能一错再错，不能一再伤害无辜的人——哪怕对方正伺机打穿你的脑袋。放下枪的那一刻Ray的罪恶心理得以平衡，也给银幕前的叹息的观众带去了思考。
被推上救护车后，Ray也许并没有死，但影片就此结束，也许是编剧对善良未泯的杀手的最后一丝宽恕吧。但无论如何Ray终难获真正的救赎。
演技高超的群星，景色如画的布鲁日……《杀手没有假期》有太多值得称道之处。另鉴于演员阵容的高度相似性，喜欢哈利?波特的朋友不妨一睹为快。
Ray只是想得到原谅，面临死亡他不想把悔恨带到另一个世界：I really, really hoped I wouldn’t die. 但就如陆游喟叹“从今如许闲乘月”，许多愿望终究只能是愿望，随着我们生命的消逝而化为遗憾的永恒。坠入黑暗的那一刻，Ray努力地想说些什么，却发不出声音，无边的绝望蔓延开来——
再没机会了。
2008-06-20 19:15 | 58回应
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>还没有注册... 我把<in bruges>的台词抄了一遍。。【转】 Back off, bitch
http://www.douban.com/people/1972084/ 原作者三天时间出的台词，牛逼闪闪的人物。 2009-01-02 18:41:25 In Bruges Ray:After I killed them, I dropped the gun in the Tham...... (18回应)
2009-01-02 46/46有用
http://www.douban.com/people/1972084/
原作者三天时间出的台词，牛逼闪闪的人物。
2009-01-02 18:41:25
In Bruges
Ray:After I killed them, I dropped the gun in the Thames,washed the residue off me hands in the bathroom of a Burger King,and walked home to await instructions.Shortly thereafter, the instructions came through."Get the fuck out of London, youse dumb fucks.Get to Bruges."I didn't even know where Bruges fucking was.
It's in Belgium.
Ray:Bruges is a shithole.
Ken:Bruges is not a shithole.
Ray:Bruges is a shithole.
Ken:Ray, we've only just got off the fucking train.Could we reserve judgment on Bruges until we've seen the fucking place?
Ray:I know it's gonna be a shithole.
STREET
Ray:Shithole.
HOTEL
Ken:I think you have a couple of rooms booked under Cranham and Blakely?
Marie:Yes. No, we have one room booked.One twin room. Booked for two weeks.
Ray:Two weeks!
Ken:Do you have another room?
Marie:No, I'm afraid we're fully booked.With Christmas, everywhere is fully booked.
Ken:Okay.
ROOM
Ken:It's very pretty.
Ray:I'm not being funny, we can't stay here.
Ken:We've got to stay here until he rings.
Ray:Well, what if he doesn't ring for two weeks?
Ken:Then we stay here for two weeks.
Ray:For two weeks? In fucking Bruges? In a room like this?With you? No way!
Ken:Ray, I really don't like to say this...
Ray:You really don't like to say what?
Ken:Well... You know?
Ray:Fucking bring that up.
ON BOAT
Ray:Do you think this is good?
Ken:Do I think what's good?
Ray:You know, going round in a boat, looking at stuff.
Ken:Yes, I do.It's called "sightseeing."
Ken:Oh, look at that.It's a former hospital. From the 1100s.Bruges is the most well-preserved medieval townin the whole of Belgium, apparently.
SQUARE
Ken:Coming up?
Ray:What's up there?
Ken:The view.
Ray:The view of what? The view of down here?I can see that from down here.
Ken:Ray, you're about the worst tourist in the whole world.
Ray:Ken, I grew up in Dublin. I love Dublin.If I'd grown up on a farm and was retarded,Bruges might impress me.But I didn't, so it doesn't.
TOWER
Ken:Trying to get rid of me coins.3, 3.50, 4,4.10, 4.20, 4.30, 4.40, 4.50, 4.60,4.70,4.80,4.90.Will you take 4.90?
Clerk:Entry is 5 euro.
Ken:Come on, man, it's only 10 cents.
Clerk:Entry is 5 euro.
Ken:Happy in your work?
Clerk:Very happy.
ON THE TOWER
I like it here.
SQUARE
Americans:Been to the top of the tower?
Ray:Yeah. Yeah, it's rubbish.
Americans:It is? The guidebook says it's a "must-see".
Ray:Well, you lot ain't going up there.
Americans:Pardon me? Why?
Ray:I mean, it's all windy stairs. I'm not being funny.
Americans:What exactly are you trying to say?
Ray:What exactly am I trying to say?Youse are a bunch of fucking elephants!
Americans:Right, you...
Americans Woman:You know, you're just the rudest man. The rudest man!
Ken:What's all that about?
Ray:They're not going up there.
Ken:Hey, guys, I wouldn't go up there. It's really narrow.
Americans Woman:Screw you, motherfucker!
Ray:Americans, isn't it?
PUB
Ray:Now, this is more like it. Proper holidays.One gay beer for my gay friend,and one normal beer for me, because I am normal.This is the life.
Ken:We're not staying here getting pissed.We are quietly sightseeing, like he says,and awaiting his call to see what we do next.
Ray:This is my vote on what we should do.We give it another day, two days, max.Then we check the papers again, and if there's still nothing in them,we phone him and say,"Harry, thank you for the trip to Bruges,"it's been very nice, all the old buildings and that,"but we're coming back to London now,and hide out in a proper country,"where it isn't all just fucking chocolates."
Ken:My vote would be we quietly sightsee, like he says,and await his call to see what we do next.You don't even know we're here hiding out.
Ray:What are you talking about?
Ken:You don't even know we're not here on a job.
Ray:What, on a job?
Ken:Yeah.
Ray:Here in Bruges?
Ken:Yeah.
Ray:Here in Bruges, on a job?
Ken:Yeah.
Ray:Why? What did he actually say?
Ken:He didn't actually say anything.
Ray:Then why do you think it might be?
Ken:I don't think anything.But it's a bit fucking over-elaborate, isn't it?"Go take him to hide out." "Go take him to hide out where?""Go take him to hide out in fucking Bruges."You can hide out in Croydon.
Ray:Hmm.Or Coventry.Hmm.It is a bit over-elaborate.Hmm.But we haven't got any guns.
Ken:Harry can get guns anywhere.
ROOM
Ray:He's not gonna ring tonight.He's not gonna ring tonight.Let's go out.
Ken:Go out where?
Ray:The pub.
Ken:No!
Ray:Let's go out and have a look at some of the...All the old medieval buildings and that.Because I bet they look even better at night, all lit up.Yes!
STREET
Ken:That there is called the Gruuthuse Museum.
Ray:They all have funny names, don't they?
Ken:Yes, Flemish.
Ray:In here it says, "The Belgians twice sheltered"fugitive English Kings from being murdered,1471 and 1651."
Ken:I used to hate history, didn't you?It's all just a load of stuff that's already happened.What are they doing over there?They're filming something. They're filming midgets!
Ken:Ray!
Director:So, on this scene, you're supposed to walklike a little, tiny mouse, yeah?Okay? Great.
Ken:Ray, come on, let's go.
Ray:My arse, "Let's go." They're filming midgets.Oh, my God! Look at that girl.She's gorgeous!
Ken:Ray, we're going right now.
Ray:Fuck off, are we!This is the best bit of Bruges so far.You and your buildings.
Ray:Hello.Do you speak English?
Chloe:No.
Ray:Yes, you do. Everybody does.What are you filming midgets for?
Chloe:It's a Dutch movie. It's a dream sequence.It's a pastiche of Nicholas Roeg's Don't Look Now.Not a pastiche, but a...A "homage" is too strong. A "nod of the head"?
Ray:Wow, your English is very good.
Ray:A lot of midgets tend to kill themselves.A disproportionate amount.Herve Villechaize, of Fantasy Island.I think somebody off The Time Bandits.I suppose they must get really sad about, like,being really little and that.People looking at them and laughing at them.Calling them names. You know, "shortarse."There's another famous midgetI'm missing, but I can't remember.It's not the R2-D2 man. No, he's still going.I hope your midget doesn't kill himself.Your dream sequence will be fucked.
Chloe:He doesn't like being called a midget.He prefers "dwarf."
Ray:Well, this is exactly my point!People go around calling you a midget when you want to be called a dwarf.Of course you're gonna blow your head off!My name's Ray. What's yours?
Chloe:Chloe.How did you get past the security man?
Ray:Getting past security men, it's sort of my job.
Chloe:You're a shoplifter?
Ray:No, not a shoplifter.It's a good joke, though.No.I'll tell you what I am at dinner tomorrow night.
Ray:Fuck.
Ray:How fucking cool.
HOTLE
Marie:Mr. Blakely?
Ken:Yes. No, Mr. Cranham. No. Yes. Mr. Blakely. Yes.
Marie:You have a message.
Ken:Shit!
(Harry):Number one,why aren't you in when I fucking told you to be in?Number two,why doesn't this hotel have phones with fucking voicemailand not I have to leave messages with the fucking receptionist?Number three, you better fucking be in tomorrow nightwhen I fucking call againor there'll be fucking Hell to pay,I'm fucking telling you. Harry.
(Marie):I'm not the receptionist,I'm the co-owner with my husband Patrice. Marie.
ROOM
Ken:Would you turn the fucking light off!
Ray:Sorry, Ken.
Ken:Keep the fucking noise down!
Ray:Someone's in a mood.You'll never guess what.
Ken:Will you shut your fucking mouth, please, and go to sleep?
Ray:Oh, sorry.Except I've gotta take me contact lenses out.
Ray:Altogether,I had five pints of beer and six bottles.No. Six pints of beer and seven bottles.And you know what? I'm not even pissed!You'll never guess what, Ken.Ken, you'll never guess what.
Ken:What?
Ray:Got a date for tomorrow night.
Ken:I'm very happy for you.
Ray:With a girl.
Ken:Can you turn the light off, please?
Ray:Only been in Bruges one day,got a date with a girl in the film business,the Belgian film business.They're doing a film about a midget.
HOTEL
Ken:Miss?Marie?Sorry about the message last night.The man who left it is a bit of a...Well, he's a bit of a...
Marie:Cock?
Ken:Yes. He's a bit of a cock.
Marie:Morning.
Ken:Harry called last night.We missed him.
Ray:Jeez, he swears a lot, doesn't he?
Ken:We're staying in tonight. Whatever happens.
Ray:Hmm.Except...Hmm.
Ken:Hmm.Except "hmm" what?
Ray:Except only one of us needs to stay in,really.Uh-huh.
Ken:And which one of us would that be, now, Ray?I thought you didn't like Bruges.
Ray:I don't like Bruges, it's a shithole.But I did already say I had a date with a Belgian lady in the Belgian film business, which I did already say about before.
Ken:Just don't get into any fucking trouble.We're keeping a low profile.And this morning, and this afternoon,we are doing what I want to do.Got it?
Ray:Of course.Which, I presume, will involve culture.
Ken:Oh, we shall strike a balance between culture and fun.
Ray:Somehow I believe, Ken,that the balance shall tip in the favor of culture.Like a big, fat, fucking retarded, fucking black girl on a seesaw, opposite a dwarf.
CHURCH
Ken:Ray, did we or did we not agree that if I let you go on your date tonight,we'd do the things I wanted to do today?
Ray:We are doing the things that you wanted to do today.
Ken:And that we'd do them without you throwing a fucking moody,like some 5-year-old who's dropped all his sweets?
Ray:I didn't agree to that.I'll cheer up. I'll cheer up.
Ken:Up there, the top altar, is a phial brought back by a Flemish knight from the Crusades in the Holy Land.And that phial, do you know what it's said to contain?
Ray:No, what's it said to contain?
Ken:It's said to contain some drops of Jesus Christ's blood.Yeah, that's how this church got its name.Basilica of the Holy Blood.
Ray:Yeah.
Ken:Yeah.And this blood, right, though it's dried blood,at different times over many years,they say it turned back into liquid.Turned back into liquid from dried blood.At various times of great stress.
Ray:Yeah?
Ken:Yeah.So, yeah, I'm gonna go up in the queue and touch it,which is what you do.
Ray:Yeah?
Ken:Yeah. You coming?
Ray:Do I have to?
Ken:Do you have to? Of course you don't have to.It's Jesus' fucking blood, isn't it?Of course you don't fucking have to!Of course you don't fucking have to!
SQUARE
Ray:You little fucking cunt.
CHURCH
Ray:Murder, Father.
Churchman:Why did you murder someone, Raymond?
Ray:For money, Father.
Churchman:For money?You murdered someone for money?
Ray:Yes, Father.Not out of anger, not out of nothing. For money.
Churchman:Who did you murder for money, Raymond?
Ray:You, Father.
Churchman:I'm sorry?
Ray:I said you, Father.What, are you deaf?Harry Waters says hello.
Churchman:The little boy.
ON THE PAPER..
1.Being moody.
2.Being bad at maths.
3.Being Sad.
MUSEUM
Ray:I quite like this one.All the rest were rubbish by spastics,but this one's quite good.What's that all about, then?
Ken:It's Judgment Day, you know?
Ray:Oh, yeah.What's that then?
Ken:Well, it's, you know, the final day on Earth.When mankind will be judged for all the crimes.they've committed and that.
Ray:And see who gets into Heaven and who gets into Hell and all that?
Ken:Yeah.
Ray:And what's the other place?
Ken:Purgatory.
Ray:Purgatory?
Ken:Purgatory's kind of like the in-betweeny one.
Ray:You weren't really shit, but you weren't all that great, either.Like Tottenham.Do you believe in all that stuff, Ken?
Ken:About Tottenham?
Ray:The Last Judgment and the afterlife.Guilt and sins and Hell and all that?
Ken:Um...Well...
SQUARE
Ken:I don't know, Ray. I don't know what I believe.The things you're taught as a child,they never really leave you, do they?So, like, I believe in trying to lead a good life.Like, if there's an old lady, carrying her shopping home,I don't try and help her carry her shopping, I don't go that far,but I'll certainly hold the door open for her and that,and let her go out before me.
Ray:Yeah. And anyway, if you tried to help her carry her shopping,she'd probably think you were just trying to nick her shopping.
Ken:Exactly.
Ray:This is the world we live in today.
Ken:At the same time as trying to lead a good life,I have to reconcile myself with the fact that, yes, I have killed people.Not many people. Most of them were not very nice people.Apart from one person.
Ray:Who's that?
Ken:This fellow, Danny Aliband's brother.He was just trying to protect his brother. Like you or I would.He was just a lollipop man.He came at me with a bottle. What are you gonna do?I shot him down.
Ray:Hmm.In my book, though, sorry, someone comes at you with a bottle,that is a deadly weapon, he's gotta take the consequences.
Ken:I know that in my heart.I also know that he was just trying to protect his brother, you know?
Ray:I know. But a bottle, that can kill you.It's a case of it's you or him.If he'd come at you with his bare hands, that'd be different.That wouldn't have been fair.
Ken:Well, technically, your bare hands can kill somebody, too.They can be deadly weapons, too.I mean, what if he knew karate, say?
Ray:You said he was a lollipop man.
Ken:He was a lollipop man.
Ray:What's a lollipop man doing knowing fucking karate?
Ken:I'm just saying.
Ray:How old was he?
Ken:About 50.
Ray:What's a 50-year-old lollipop man doing knowing fucking karate? What was he, a Chinese lollipop man? Jesus, Ken, I'm trying to talk about...
Ken:I know what you're trying to talk about.
Ray:I killed a little boy. You keep bringing up fucking lollipop men!
Ken:You didn't mean to kill a little boy.
Ray:I know I didn't mean to.But because of the choices I made and the course that I put into action,a little boy isn't here anymore.And he'll never be here again.I mean here in the world, not here in Belgium.Well, he'll never be here in Belgium, either, will he?I mean, he might have wanted to come here when he got older.I don't know why.And that's all because of me.He's dead because of me.And I'm trying to...I'm trying to get me head around it, but I can't.I will always have killed that little boy.That ain't ever going away. Ever.Unless...Maybe I go away.
Ken:Don't even think like that.
ROOM
Ken:You look good.
Ray:What's it matter anyway?
PUB
Chloe:So, what do you do, Raymond?
Ray:I shoot people for money.
Chloe:What kinds of people?
Ray:Priests. Children. You know, the usual.
Chloe:Is there a lot of money to be made in that line of business?
Ray:There is in priests. There isn't in children.So what is it you do, Chloe?
Chloe:I sell cocaine and heroin to Belgian film crews.
Ray:Do you?
Chloe:Do I look like I do?
Ray:You do, actually.Do I look like I shoot people?
Chloe:No.Just children.
Ray:Mmm-hmm.I saw your midget today.Little prick didn't even say hello.
Chloe:Well, he's on a lot of ketamine.
Ray:What's that?
Chloe:Horse tranquilizer.
Ray:A horse tranquilizer?Where'd he get that?
Chloe:I sold it to him.
Ray:You can't sell horse tranquilizers to a midget!
Chloe:This movie, I think it's gonna be a very good one.There's never been a classic movie made in Bruges until now.
Ray:Of course there hasn't, it's a shithole.
Chloe:Bruges is my hometown, Ray.
Ray:Well, it's still a shithole.
Chloe:It's not a shithole.
Ray:What? Even midgets have to take drugs to stick it.
Chloe:Okay.So, you've insulted my hometown.You're doing very well, Raymond.Why don't you tell me some Belgian jokes while you're at it?
Ray:I don't know any Belgian jokes.And if I did, I think I'd have the good sense not to...Hey, hang on. Is Belgium where there were all those child abuse murders lately?Then I do know a Belgian joke.What's Belgium famous for?Chocolates and child abuse.And they only invented the chocolates to get to the kids.What?
Chloe:One of the girls they murdered was a friend of mine.
Ray:I'm sorry, Chloe.
Chloe:One of the girls they murdered wasn't a friend of mine.I just wanted to make you feel bad.And it worked. Quite well.
Canadians:Fucking unbelievable.
Ray:What's fucking unbelievable?
Canadians:Are you talking to me?
(He pauses, even though he should just hit the cunt.And he repeats.)
Ray:Yes, I am talking to you. What's fucking unbelievable?
Canadians:Well, I'll tell you what's fucking unbelievable, shall I?Blowing cigarette smoke straight into myself and my girlfriend's face.
That's fucking unbelievable!
Ray:This is the smoking section.
Canadians:I don't care if it's the smoking section.All right? She directed it right in my face, man.I don't wanna die just because of your fucking arrogance.
Ray:Uh-huh. Isn't that what the Vietnamese used to say?
Canadians:Vietnamese? What are you talking about, the Vietnamese?That statement makes no fucking sense at all.
Ray:Yes it does. The Vietnamese!
Canadians:Well, saying it over and over ain't gonna make any more sense out of it.How does the Vietnamese have any relevance whatsoever to myself and my girlfriend having to breathe your friend's cigarette smoke?Tell me how saying...
Ray:That's for John Lennon, you Yankee fucking cunt!
Ray:A bottle? No, don't bother.
Ray:We're leaving.
OUT OF PUB
Ray:I don't hit women! I would never hit a woman, Chloe!I'd hit a woman who was trying to hit me with a bottle!That's different. That's self-defense, isn't it?Or a woman who could do karate.I'd never hit a woman generally, Chloe. Don't think that.God, you're pretty.
Chloe:I have to make a call.
Ray:Oh, no.You've gone off me, now, haven't you?Just because I hit that fucking cow.
ROOM
Ken:Hello?
Harry:Where the fuck were you yesterday?
Ken:We just popped out for some dinner, Harry.We only popped out for half an hour.
Harry:Yeah? What'd you have?
Ken:For dinner?
Harry:Yeah.
Ken:Pizza, at Pizza Hut.
Harry:Was it nice?
Ken:Yeah, it was all right. I don't know. It was Pizza Hut.The same as in England.
Harry:Well, that's globalization, isn't it? Is Ray there with you?
Ken:He's in the toilet.
Harry:Can he hear?
Ken:No.
Harry:What's he doing?
Ken:What do you mean?
Harry:Is he doing a wee or a poo?
Ken:I don't know, Harry, the door's closed.
Harry:Send him out on an errand for half an hour,but don't make it sound suspicious.
Ken:Ray? Why don't you go out down to the pub for half an hour?Yeah, yeah, I know I said you couldn't,but might as well enjoy ourselves, eh?No, I don't know if they've got bowling anywhere.Could have a look.Yeah, see you.Yeah. He's gone.
Harry:What'd you say to him?
Ken:I said, "Why don't you go have a drink,you say you've been cooped up?"
Harry:What did he say?
Ken:Said, yeah, he would.And he might go have a look to see if there's a bowling alley around.
Harry:Was he just having a wee?
Ken:Yeah, I think so. I assume so.
Harry:Sure he didn't mind?
Ken:No, he was glad to get out.
Harry:He's definitely gone?
Ken:Yeah, yeah, he slammed the door.
Harry:That don't mean he's gone. Go check outside the door.
Ken:Harry, he's definitely gone.
Harry:You realize there are no bowling alleys in Bruges?
Ken:I realize that, Harry. The boy wanted to have a look anyway.
Harry:What are they gonna have, a medieval fucking bowling alley?
Ken:As I say, I think he was just glad to get out and about.
Harry:So, is he having a nice time, seeing all the canals and that?I had a lovely time when I was there.All the canals and the old buildings and that.
Ken:When were you here?
Harry:When I was seven. Last happy holiday I fucking had.Have you been on a canal trip, yet? Ken:Yeah.
Harry:Have you been down, like, all the old cobbled streets and that?
Ken:Yeah.
Harry:It's like a fairytale, isn't it, that place? Ken:Yeah.
Harry:With the churches and that. They're Gothic. Ken:Yeah.
Harry:Is it Gothic?
Ken:Yeah.
Harry:So he's having a really nice time?
Ken:Well, I'm having a really nice time.I'm not sure if it's really his cup of tea.
Harry:What?
Ken:You know, I'm not sure if it's really his thing.
Harry:What do you mean, "It's not really his thing"?What's that supposed to mean, "It's not really his thing"?What the fuck is that supposed to mean?
Ken:Nothing, Harry.
Harry:It's a fairytale fucking town, isn't it?How can a fairytale town not be somebody's fucking thing?How can all those canals and bridges and cobbled streets and those churches,all that beautiful fucking fairytale stuff,how can that not be somebody's fucking thing, eh?
Ken:What I think I meant to say was...
Harry:Is the swan still there?
Ken:Yeah, the swan's...
Harry:How can fucking swans not fucking be somebody's fucking thing, eh?How can that be?
Ken:What I think I meant to say was,when he first arrived, he wasn't quite sure about it.You know, there's that big,dual carriageway when you get off the train?It mightn't have been here when you were here last, Harry.Well, as soon as he got into, like, the old town proper,and he saw the canals and the bridges and,you know, the swans and that,well, he just fucking loved it then.Couldn't get enough of it, the medieval part of town.It was just that initial, dual carriageway thing sort of put him off for a second.
Harry:Don't know if I remember a dual carriageway.Must be recent.Hasn't spoilt it, has it?
Ken:No, no, no, it's just that initial thing.And you know what?As we were walking through the streets,there was this sort of freezing fog hanging over everything,and it made it look almost like a fairytale or something.And he turned to me, do you know what he said?
Harry:What'd he say?
Ken:He said, "Ken, I know I'm awake,but I feel like I'm in a dream."
Harry:Yeah? He said that?
Ken:Yeah.
Harry:Meaning, like, in a good dream?
Ken:Yeah. Of course, like in a good dream.
Harry:Oh, good. I'm glad he likes it there.I'm glad we were able to give him something.
Something good and happy. Because he wasn't a bad kid, was he?
Ken:Huh?
Harry:He wasn't a bad kid, was he?Listen, take down this address. Raamstraat 17.That's "Raam," like "Ram," but with an extra "a."
Ken:Raamstraat 17.
Harry:You got that?
Ken:Yes, Raamstraat 17.
Harry:Good. There'll be a man there tomorrow morning at 9:00.His name's Yuri.
Ken:Yuri.
Harry:He'll give you the gun.Ring me on the public phone at Jimmy Driscoll's about 3:00 or 4:00 tomorrow, after it's done.
Ken:After what's done?
Harry:Are you being thick?
Ken:No.
Harry:Listen, I like Ray.He was a good bloke, but when it all comes down to it.You know, he blew the head off a little fucking kid.And you brought him in, Ken.So if the buck don't stop with him, where does it stop?Ken?If the buck don't stop with him, where does it stop?
Ken:It stops with me, Harry. That's an easy one.
Harry:Look, don't get shirty, Ken.Listen, I'm just glad that I was able to do something for the boy before he went.
Ken:Do what for the boy?
Harry:You know, have him get to see Bruges.I'd like to go to see Bruges again before I die.What was it he said again about... Yeah, "It's like a dream."
Ken:"I know I'm awake, but I feel like I'm in a dream."
Harry:Yeah.Give me a call when he's dead.
Eirik:That's my fucking girlfriend, you asshole.
Chloe:Eirik, what are you doing?
Eirik:Where are you from, fucker?
Ray:Ireland, originally.
Eirik:And you think it's okay to come over to Belgium and fuck another man's girl?
Ray:Look, I didn't know she had a boyfriend, all right?And I haven't fucked her, anyway. Ask her.I'd only put me hand on it.
Chloe:Eirik, put the gun down!
Eirik:Get down on your knees and open your mouth.
Ray:Don't start being silly.
Eirik:Get down on your...
Ray:Exactly at what point was it that all skinheads suddenly became poofs?Used to be, you were a skinhead,you just went around beating up Pakistani 12-year-olds.Now it seems a prerequisite to be a fucking bum-boy!
Ray:That's not gonna help you, man.
Chloe:Ray, there's only blanks in that gun.Eirik, don't!
Eirik:Now who's the fucking bum-boy?
Ray:You, you fucking bum-boy!Chloe, what exactly is going on here?
Eirik:I can't see! I can't see!
Ray:Of course you can't fucking see!I just shot a blank in your fucking eyes!Is this fella your boyfriend?
Eirik:No. I mean, he used to be.
Ray:Well, what's he doing here?
Chloe:We... We rob tourists, sometimes.
Ray:I fucking knew it was too good to be true!I knew you'd have never shagged me, normally.
Chloe:No! That's not true, I...I called it off tonight. I told him not to come tonight.Why did you come tonight?
Eirik:Chloe, I can't see, I swear it!
Ray:Stop whingeing like a big gay baby.I haven't had a shag in months!
Eirik:I can't see out of this eye, Chloe! I have to go to the hospital!
Chloe:I'll drive you.
Ray:Great! Now the whole night's ruined!
Chloe:No!You can stay if you want.I just don't know how long I'll be.
Ray:I just knew someone like you would never like someone like me.I just knew.
Chloe:What do you mean, someone like me?
Ray:You know, someone nice.
Chloe:Call me. Please.
Eirik:Chloe!
Ray:Cha-ching!
PUB
Ken:Have you got some sort of problem?
Bartender:No, no problem.Four beers in 20 minutes. No problem.
Ken:Fuck off.
Midget:Beer and a red wine.
Prostitute:I'll be back.
Ken:How's the movie going?
Midget:It's a jumped-up Eurotrash piece of rip-off fucking bullshit.
Ken:Like, in a bad way?Your girlfriend's very pretty.
Midget:She ain't my girlfriend.She's a prostitute I just picked up.
Ken:Didn't know there were any prostitutes in Bruges.
Midget:You just have to look in the right places.Brothels are good.
Ken:Well, you've picked up a very pretty prostitute.
Midget:Thank you.
Ken:You from the States?
Midget:Yeah.But don't hold it against me.
Ken:I'll try not to.Just try not to say anything too loud or crass.
Ray:Hey-ho. Drowning your sorrows, huh?
Ken:What sorrows?
Ray:You know, being a sad, old, ugly little man.One gay beer, please.
Ken:How'd your date go?
Ray:My date involved two instances of extreme violence.One instance of her hand on my cock and my finger up her thing,which lasted all too briefly. Isn't that always the way?One instance of me stealing five grams of her very-high-quality cocaine,and one instance of me blinding a poofy little skinhead.So, all in all, my evening pretty much balanced out fine.
Ken:You got five grams of coke?
Ray:I've got four grams on me and one gram in me,which is why me heart is going like the clappers,as if I'm about to have a heart attack.So if I collapse any minute now, please remember to tell the doctors that it might have something to do with the coke.
Ken:Give us a gram, then.
Ray:I thought you were laying off, because it makes you depressed?
Ken:You know what? Right now, I don't really give a fuck.
Ray:Why didn't you wave hello to me today when I waved hello to you today?
Midget:I was on a very strong horse tranquilizer today.I wasn't waving hello to anybody, except maybe to a horse.
Ray:Huh? What are you talking about?
Midget:Just horseshit.
Ray:You from America?
Midget:Yeah. But don't hold it against me.
Ray:Well, that's for me to decide, isn't it?Are you from America, too?
Prostitute:No, I'm from Amsterdam.
Ray:Amsterdam.Amsterdam is just a load of bloody prostitutes, isn't it?
Prostitute:Yes. That's why I came to Bruges.I thought I'd get a better price for my pussy here.
Ray:Huh?You two are weird.Would you like some cocaine?I've also got some acid and some ecstasy.
FIVE-STAR HOTEL
Ray:Herve Villechaize, I know, did.The dwarf off, I think, The Time Bandits, did.Lots of midgets...Dwarves, top themselves.Hmm. Shitloads.Would you ever think about it?
Midget:Huh?
Ray:Would you ever think about killing yourself because you're a midget?
Midget:Fuck, man! What kind of question is that?
Ray:We're just chatting, aren't we?See, Ken.this is the kind of hotel Harry should have put us in.A five-star, with prostitutes in.You know, sometimes, I think Harry doesn't even give a shit about us at all.Has he still not called?
Ken:No. Still hasn't called.
Ray:No news is good news, eh?
Ray:Who's she?
Midget:There's gonna be a war, man.I can see it.There's gonna be a war between the blacks
and between the whites.You ain't even gonna need a uniform no more.This ain't gonna be a war where you pick your side.Your side's already picked for you.
Ray:And I know whose side I'm fighting on.I'm fighting with the blacks.The whites are gonna get their heads kicked in!
Midget:You don't decide this shit, man.
Ray:Well, who are the half-castes gonna fight with?
Midget:The blacks, man. That's obvious.
Ray:But what about the Pakistanis?
Midget:The blacks.
Ray:What about...Think of a hard one.What about the Vietnamese?
Midget:The blacks!
Ray:Well, I'm definitely fighting with the blacks if they've got the Vietnamese.So, hang on.Would all of the white midgets in the world be fighting against all the black midgets in the world?
Midget:Yeah.
Ray:That would make a good film!
Midget:You don't know how much shit I've had to take off of black midgets, man.
Ray:That's...Undeniably true.
Ken:See, Jimmy,my wife was black.And I loved her very much.And in 1976, she was murdered by a white man. So...Where the fuck am I supposed to stand in all this blood and carnage?
Midget:Did they get the guy who did it?
Ken:A friend of mine got him.
Ray:Harry Waters got him.
Ken:So tell me, Jim,whose side do I fight on in this wonderful war?
Midget:I think you need to weigh up all your options and let your conscience decide, Ken.
Ken:Two manky hookers and a racist dwarf.I think I'm heading home.
Ray:Yeah. I think I'll come with you.
Midget:What's...
Ray:Back off, shorty!
Midget:You don't know karate.
Ken:Don't say you didn't have it coming.
Ray:Don't say you didn't have it coming.Shortarse!
YURI'S HOME
Ken:Meeting Yuri.
Yuri:Yes, I'm Yuri.
Yuri:Mr. Waters said that might be necessary.There are a lot of alcoves in the Koningin Astrid Park.You use this word, "alcoves"?
Ken:"Alcoves"? Yes. Sometimes.
Yuri:There are not many people around in these alcoves in Christmastime.If I were to murder a man, I would murder him here.Are you sure this is the right word, "alcoves"?
Ken:"Alcoves," yes. It's kind of like "nooks and crannies."
Yuri:"Nooks and crannies," yes. Perhaps this would be more accurate."Nooks and crannies," rather than "alcoves." Yeah.
Yuri:You are going to do it, aren't you? Mr. Waters will be very disappointed...
Ken:Of course I'm going to fucking do it.It's what I do.
HOTLE
Marie:Your friend was behaving rather oddly this morning.
Ken:Oddly? How?
Marie:Well, he asked me about the baby,and if I wanted a boy or a girl.I said I didn't mind as long as it's healthy, of course.But then he gave me 200 euros to give to the baby.I refused, obviously, but he was quite insistent.Would you give it back to him when you see him?I don't want to appear ungrateful,but it seemed like all the money he had.
Ken:Do you know where he is now?
Marie:He said he was going to the park.
PARK
Ken:Sorry, Ray.
Ken:I'm sorry.
Ken:Ray, don't!
Ray:Fucking hell! Where the fuck did you come from?
Ken:I was behind the thing.What the fuck are you doing, Ray?
Ray:What the fuck are you doing?
Ken:Nothing.
Ray:Oh, my God!You were gonna kill me. Ken:No, I wasn't.You were gonna kill yourself! Ray:What?I'm allowed to.
Ken:No, you're not!
Ray:What?I'm not allowed to and you are? How's that fair?
Ken:Can we go somewhere and talk about this, please?
Ken:I wasn't gonna go through with it, Ray.
Ray:You fucking looked like you were gonna go fucking through with it.Where'd you get that gun?
Ken:A friend of Harry's.
Ray:Fuck, man.Let me see it.Silencer, too.Nice.Mine's a bloody girl's gun.
Ken:I'm keeping it.
Ray:Pardon me?Give me me gun back. Ken:You're not getting it back.You're a suicide case.
Ray:And you were trying to shoot me in the fucking head.
Ken:You're not getting that gun back.
Ray:A great day this has turned out to be.I'm suicidal, me mate tries to kill me,me gun gets nicked and we're still in fucking Bruges.
Ken:Listen, I'm gonna give you some money and put you on a train somewhere.
Ray:Back to England?
Ken:You can't go back to England, Ray. You'd be a dead man!
Ray:I want to be a dead man.Have you been missing something?
Ken:You don't want to be a dead man, Ray.
Ray:I killed a little boy!
Ken:Then save the next little boy.Just go away somewhere,get out of this business and try to do something good.You're not gonna help anybody dead.You're not gonna bring that boy back.But you might save the next one.
Ray:What am I gonna be, a doctor?You need exams.
Ken:Do anything, Ray. Do anything.
ROOM
(Dear Ken,I went to the park so she wouldn't have to clean it up.Ray)
Ray:What a wanker!
Ken:He said this whole trip,this whole being in Bruges thing,was just to give you one last, joyful memory before you died.
Ray:In Bruges?The Bahamas, maybe.Why fucking Bruges?
Ken:I suppose it's cheaper.
TRAIN STATION
Ray:The rest of the acid and the ecstasy.Can I have me gun back, please?What am I gonna do, Ken?What am I gonna do?
Ken:Just keep moving.Keep on moving.Try not to think about it.Learn a new language, maybe?
Ray:Sure, I can hardly do English.That's one thing I like about Europe, though.You don't have to learn any of their languages.
Ken:Just forget about home for a while.See how the land lies in six years, seven years.Seven years is not that long.
Ray:It's longer than that boy got.Me first fucking job.Great hitman I turned out to be.
Ken:Some people just aren't cut out for it, Ray.
Ray:Are you?
Ray:When are you going back to England?
Ken:I'll head back in a couple of hours or something.
Ray:Harry's not gonna be mad at you, is he? For letting me go?
Ken:I'll sort out Harry.
Ray:Just tell him I'll have probably killed meself in a fortnight, anyway.
Ken:You won't, will you, Ray?
Ken:Harry? It's Ken.Listen to this noise.Do you know what that is?Yeah, I know you know it's a train.Do you know what train?Well, it's a train that Ray just got on,and he's alive and he's well,and he doesn't know where he's going and neither do I.So if you need to do your worst, do your worst.You've got the address of the hotel. I'll be here waiting.Because I've got to quite like Bruges, now.It's like a fucking fairytale or something.
HARRY'S HOME
Harry's wife:Harry.
Harry's wife:Harry!
Harry:What?
Harry's wife:It's an inanimate fucking object.
Harry:You're an inanimate fucking object!
Harry:Now, you lot be good for your mummy and lmamoto, okay?'Cause Daddy's got to go away for a few days.
Harry's wife:Where are you going?
Harry:I've got to go to Bruges.
Harry's wife:Bruges? Where's that?
Harry:It's in Belgium.
Harry's wife:Why would anybody have to go to Belgium?
Harry:'Cause I've got to sort something out.
Harry's wife:Is it something to do with the phone?
Harry:It's something to do with Ken.It's a matter of honor.
Harry's wife:Well, it ain't gonna be dangerous, is it?
Harry:Well, of course it's gonna be dangerous if it's a matter of fucking honor!
Harry's wife:You are bringing the fellas with you?Tell me you're bringing the fellas with you.Harry.
Harry:I'm sorry for calling you an inanimate object.I was upset.
ON THE TRAIN
Police:You're Irish?
Ray:Yes.
Police:What is your name?
Ray:Derek Perlurrl.
Police:You hit the Canadian.You hit the Canadian.
Ray:I "heet" the Canadian?I don't know what you're talking about.
Canadian:That's him! That's the motherfucker.
Police:You hit the Canadian, yeah?
Ray:Canadian? Shit.
Police:We're taking you back to Bruges. Ray:Brilliant.
YURI'S HOME
Harry:Aye aye.
Yuri:Take your pick, Mr. Waters.
Harry:An Uzi?I'm not from South Central Los fucking Angeles.I didn't come here to shoot
20 black 10-year-olds in a fucking drive-by.
I want a normal gun for a normal person.
Yuri:I knew he wouldn't kill the guy.I could see it in his eyes when I was telling him about the alcoves.
Harry:About the what?
Yuri:The alcoves.The alcoves in the Koningin Astrid Park.Oh, I also have some dumdums.You use this word, "dumdums"?The bullets that make the head explode?
Harry:Dumdums, yeah.
Yuri:Would you like some of these dumdums?
Harry:I know I shouldn't,but I will.
Eirik:Motherfucker.
Harry:Is he talking to me?
Yuri:No, Eirik's on your side, Mr. Waters.Your young friend blinded him last night.
Harry:Ray did?
Eirik:I was trying to rob him and he took my gun from me.And the gun was full of blanks,and he shot the blank into my eye.And now, I cannot see from this eye ever again,the doctors say.
Harry:Well, to be honest, it sounds like it was all your fault.
Eirik:What?
Harry:I mean, basically, if you're robbing a man and you're only carrying blanks,and you allow your gun to be taken off you,and you allow yourself to be shot in the eye with a blank,for which I assume the person has to get quite close to you, then,yeah, really, it's all your fault for being such a poof.So why don't you stop whingeing and cheer the fuck up?
Yuri:Eirik, I really wouldn't respond.
Eirik:I thought you wanted the guy dead?
Harry:I do want the guy dead. I want him fucking crucified.But it don't change the fact that he stitched you up like a blind, little gay boy. Does it?Thanks for the gun, Yuri.
SQUARE
Harry:Well?
Ken:The boy is suicidal, Harry.He's a walking dead man.Keeps going on about Hell and purgatory...
Harry:When I phoned you yesterday, did I ask you,
"Ken, will you do me a favor and become Ray's psychiatrist, please?"No. What I think I asked you was,"Could you go blow his fucking head off for me?""He's suicidal"?I'm suicidal. You're suicidal. Everybody's fucking suicidal!We don't all keep going on about it!Has he killed himself yet?No. So he's not fucking suicidal, is he?
Ken:He put a loaded gun to his head this morning.I stopped him.
Harry:He... What?This gets fucking worse!
Ken:We were down in the park...
Harry:Let me get this right. You were down in the park?What's that got to do with fucking anything?Let me get this right.Not only have you refused to kill the boy,you've even stopped the boy from killing himself,which would have solved my problem,
which would have solved your problem,which sounds like it would've solved the boy's problem.
Ken:It wouldn't have solved his problem.
Harry:Ken, if I had killed a little kid, accidentally or otherwise,I wouldn't have thought twice.I'd have killed myself on the fucking spot.On the fucking spot.I'd have stuck the gun in me mouth on the fucking spot!
Ken:That's you, Harry.The boy has the capacity to change.The boy has the capacity to do something decent with his life.
Harry:Excuse me, Ken. I have the capacity to change.
Ken:Yeah, you do.You've the capacity to get fucking worse!
Harry:Yeah, now I'm getting down to it!
Ken:Harry, let's face it.And I'm not being funny, I mean no disrespect,but you're a cunt.You're a cunt now, you've always been a cunt.And the only thing that's gonna change is you're gonna become an even bigger cunt.Maybe have some more cunt kids.
Harry:Leave my kids fucking out of it.What have they done?You fucking retract that bit about my cunt fucking kids!
Ken:I retract that bit about your cunt fucking kids.
Harry:Insulting my fucking kids! That's going overboard, mate!
Ken:I retracted it, didn't I?Still leaves you being a cunt.
Harry:Yeah, I fucking got that.
Harry:Where's Ray now?
Ken:Oh, right about now, Ray is in one or other of the one million towns in mainland Europe it's possible to be in, other than here.
POLICE OFFICE
Ray:I'll get all the money back to you soon as I get through to me friend.
Chloe:It's not a problem, Raymond.
Ray:And I'll get all your acid and your ecstasy back to you, too.
Chloe:English humor!
SQUARE
Harry:I'm assuming you've got your gun on you.
Ken:That Yuri bloke's a funny fella, isn't he?
Harry:He does yoga.
Ken:"The alcoves."
Harry:Was he going on to you about the alcoves?
Ken:"The alcoves in the Koningin Astrid Park." Harry, I know you gotta do what you gotta do.It's a bit crowded round here, you know?
Harry:Well, I'm not gonna have a shootout in the middle of a thousand fucking Belgians, am I?Not to mention the other nationalities,just on their holidays. Ken:Hmm.To see the swans and the Gothic and all the fairytale stuff, eh?
Harry:Are you trying to fucking wind me up?
Ken:No, Harry.
Harry:On top of calling me a cunt and calling me kids cunts.I might just have to fucking shoot you right here.Christ!
Ken:Let's go up the bell tower.Be quiet up there this time of evening.Let's go up there.
Ray:Yeah. Canadians.I feel a bit bad.They didn't kill John Lennon, did they?Anyway, supposed to turn up to court here in two days.
Chloe:Are you going to turn up?
Ray:Don't know.What have I got to stay for really?
Chloe:The most beautiful woman you've ever seen in all of your stupid life.
Clerk:The tower is closed this evening.
Ken:No way. It's supposed to be open till 7:00.
Clerk:The tower is usually open until 7:00.Yesterday an American had a heart attack up the tower.Today the tower is closed.
Harry:Here, cranky, here's 100 for you.We're only gonna be 20 minutes.
Clerk:The tower is closed this evening.Understand, Englishman?
Ray:Jimmy, I've been wanting to say I'm really sorry for karate-chopping you the other night.That was way out of order.
Midget:You know, Ray,I'd find it easier to believe and forgive you, somehow,if the two of you weren't laughing straight in my fucking face!It's for the goddamn movie, man.
Ken:It is a nice town, Harry.I'm glad I got to see it.I didn't mean to be taking the piss out of it being a fairytale place.It is a fairytale place.It really is.
Harry:Hmm.It's just a shame it's in Belgium, really.But then you figure if it wasn't in Belgium,if it was somewhere good,there'd be too many people coming to see it.It would spoil the whole thing.
Ken:Well, I'm glad I got to see it before I died.
Harry:What are you doing?What are you fucking doing?
Ken:I'm not fighting anymore, Harry.
Harry:All right, then I'm blowing your fucking head off.Don't come over all Gandhi. What are you fucking doing?Ken, stop messing about, please.Pick up your gun. I know I'm going to beat you anyway'cause you're a spaz, but...
Ken:Harry,I'm totally in your debt.The things that have gone between us in the past,I love you unreservedly for all that.
Harry:What?
Ken:For your integrity.For your honor.I love you.The boy had to be let go.The boy had to be given a chance.And if to do that, I had to say,"Fuck you, and fuck what I owe you,"and fuck everything that's gone on between us,"then that's what I had to do.But I'm not fighting you.And I accept, totally, everything you've got to do.I accept it. Totally.
Harry:Oh, yeah?
Ken:Yeah.
Harry:Well, you say all that fucking stuff,I can't fucking shoot you now, can I?
Ken:It's entirely up to you, Harry.It's entirely your call.All I'm saying is I'm not fighting.
Ken:Oh, you fucking cunt!
Harry:Look, I'm not gonna do nothing to you just 'cause you're standing about like Robert fucking Powell.
Ken:Like who?
Harry:Like Robert fucking Powell out of Jesus of fucking Nazareth!
Ken:My fucking leg!
Midget:The psycho dwarf turns out to just be a loveable little schoolboy,and it's all some kind of Boschian nightmare.Kiss my ass!
Ray:I guess at least there weren't any black people involved, eh, Jimmy?
Midget:I wasn't...I wasn't talking about...
Ray:There's gonna be a war between all the blacks and all the whites.And all the black midgets and all the white midgets,which would actually be really good.
Midget:That's just cocaine.
Ray:He didn't even want the Vietnamese on his side!
Midget:That's just cocaine.Listen, we're filming down by the pointy building tonight.It might actually be good for once.You guys should come along.
Chloe:We...I think we're just gonna have a quiet one tonight, Jimmy.
Midget:That's how it is!In another life.
Ray:They're great, aren't they?
You didn't. You didn't!
Eirik:Mr. Waters? Mr. Waters?
Harry:Who's that?
Eirik:It's Eirik.
Harry:The blind boy?
Eirik:Yeah.Yes.
Harry:What do you fucking want?
Eirik:The guy you're looking for,the guy Ray, he's downstairs at the bar.
Harry:I'm sorry, Ken.
Harry:But you can't kill a kid and expect to get away with it.
Harry:You just can't.
Harry:Where?
Eirik:To the left when you come out.The bar to the left.
Ray:Ken!
Ray:Ken! Ken!
Ken:Harry's here.
Ray:What?
Ken:Take my gun.
Ray:Ken?Where's my gun?Where's my gun?
Ken:I'm gonna die now, I think.
Ray:Oh, Ken!Jesus!
HOTEL
Ray:Put that gun away, right now!
Marie:Mr. Blakely said you had left.
Ray:I need the key to the room right now.Quickly, now!And you gotta go home right now.It's very, very dangerous here.All right? Go home! Right now!
Marie:Okay.
Marie:No, I won't let you up there!
Harry:Lady, get out of my fucking way, please.
Marie:No, I won't. I won't get out of your way.You'll have to go through me.
Harry:Well, obviously, I'm not gonna through you, am I,with a baby and that? I'm a nice person.But could you just get out of the fucking way, please?
Ray:Marie!Just let him come up, it's okay.Harry, swear not to start shooting until she's left the hotel.
Harry:I swear not to start shooting till she's left the hotel.I totally swear.
Marie:Well, I'm not going anywhere.This is my hotel.So you can fuck off!
Harry:I suppose you've got a gun up there? Ray:Yeah.
Harry:Then what are we gonna do? We can't stand here all night.
Marie:Why don't you both put your guns down and go home?
Harry:Don't be stupid. This is the shootout.
Ray:Harry, I've got an idea.
Harry:What?
Ray:My room faces onto the canal, right?I'm gonna go back to me room, jump into the canal,see if I can swim to the other side and escape.
Harry:Right.
Ray:If you go outside and round the corner,you can shoot at me from there and try and get me.That way, we leave this lady and her baby out of the whole, entire thing.
Harry:Do you completely promise to jump into the canal?I don't want to run out there, come back in 10 minutes and find you fucking hiding in a cupboard.
Ray:I completely promise, Harry.I'm not gonna risk having another little kid die, am I?
Harry:So, hang on, I go outside,then I go which way, right or left?
Ray:You go right, don't you?You can see it from the doorway! It's a big fucking canal!
Harry:All right. Jesus! I've only just got here, haven't I?Okay. On a count of "one, two, three, go," okay?
Ray:Okay.
Ray:What? Who says it?
Harry:Oh, you say it.
Marie:You guys are crazy.
Ray:Are you ready?
Harry:Ready.
Ray:Set?
Harry:Set.
Ray:One, two, three, go!
ON THE CANAL
Ray:Keep driving!
Ray:No way. You're way too far away.
Ray:The little boy.
Harry:That's right, Ray.The little boy.
Harry:Oh.
Harry:I see.
Ray:No, Harry.
Ray:He's not...
Harry:You've got to stick to your principles.
There's a Christmas tree somewhere in London with a bunch of presents underneath it that'll never be opened.And I thought, "If I survive all this,"I'll go to that house, apologize to the mother there,"and accept whatever punishment she chose for me."Prison, death, it didn't matter.Because at least in prison and at least in death, you know,I wouldn't be in fucking Bruges.But then, like a flash, it came to me, and I realized,"Fuck, man, maybe that's what Hell is."The entire rest of eternity spent in fucking Bruges!"And I really, really hoped I wouldn't die.I really, really hoped I wouldn't die.
END
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2009-01-02 18:51 | 18回应
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>还没有注册... 在伦敦的某处有棵圣诞树 Mojo(世界先是变丑，然后熄灭)
法瑞尔在对神父告解的时候，说他为了钱杀人。但是整部电影结束后，死去的三个杀手，没有一个是为了钱，你能够解释说，这是一场误会，或者说是一个不真实的臆想。我的解释是，这是导演送给我们的礼物，即便是悲剧，也是因为他们坚守自己的信念，乌托邦式的信念，是我们所缺少的。 昨天和台里的同志们吃本学期...... (10回应)
2008-06-29 46/47有用
法瑞尔在对神父告解的时候，说他为了钱杀人。但是整部电影结束后，死去的三个杀手，没有一个是为了钱，你能够解释说，这是一场误会，或者说是一个不真实的臆想。我的解释是，这是导演送给我们的礼物，即便是悲剧，也是因为他们坚守自己的信念，乌托邦式的信念，是我们所缺少的。
昨天和台里的同志们吃本学期的散伙饭，场面依然很震撼，很多平时不该说不能说的以及不适合说的都在我意识半清醒的时候蹦了出来，那些装逼似的词汇没有经过大脑的窜出来，我记得我对哈那和吴迪说，V字仇杀队里面有一句台词是毎一粒雨水里面都有上帝，让我们敬上帝。当时在老何记的窗外正下着大雨，那些刻录不是华丽的分割线，堆在需要理解的桌椅上的不是痛苦，恰恰是被打垮的背影。
电影选在比利时的布鲁日小镇，这个经过镜头过滤的世界变得异常纯粹，中古世纪的建筑和到处散漫开来的微笑，几乎可以让人忘了编剧撰写出来的冲突是要在这里上演，主角们可个个是杀手，但当你看到这里抢劫的光头混混都是拿着装着空包弹的左轮时，大概这是最不像现实的小镇，而带着英式幽默的对白充斥整部影片的时候，也许大概可能最终还是一个Happy Ending吧。于是当肯送雷上火车的时候，当哈里只是用枪射了肯大腿的时候，我还天真的认为或许误会就这样结束了，或许三个杀手会跟西部英雄一样互相搀扶在运河旁边的酒吧里喝酒，但导演没有在圣诞夜给我们温暖。
在最后，上演了现实中残忍的厮杀，但是带给了我们现实中最缺乏的原则，可惜的是这样的执着沾着真男人的血，哈里对妻子说，面子的事才是最严重的事，这里的面子不是虚浮，而是原则，他不能容忍杀手在执行任务时杀死小孩，即便在最后他认识到这也有可能是失误时，他还是选择了坚持。这是固执吗？对于很多事实来说，最后造成的结果是不能挽回的，虽然肯可以在劝雷时说，你可以去挽救其他更多的小孩。但错铸下，已然如此。他们看着审判日的画，虽然表情不一，想的却是同样的事。肯用宗教来支撑自己，哈里用自己定的道义原则来维系自己，雷则在迷离中前行，悲伤的不是即将死去，而是不能道歉。《V字仇杀队》里面那个利用V做人体实验的女医生临死前对V说，现在道歉晚了吗？V说，Never.
之前西部片盛行的时候，人们会念叨里面的对白，因为人们缺乏正义，后来西部片的衰败不仅是因为这个模式已经做烂掉了，也是因为大多数的人已经放弃了，他们试图在电影中寻找的英雄并不存在，而那些道义更是在尔虞我诈的耗斗中伤亡殆尽。胜利往往还没结果，争斗已然开始，英雄没有了，无政府主义偶像们则一个个树立起来。
究竟该怎么衡量所需要的精神，青春死在1968年，理想死于1989年，道义呢？外面的世界是多么可怕，《心慌方》里面的沃斯在出口打开的一刹那，颓然的瘫坐在立方体内，他不想出去。他害怕，我们不用上纲上线的资本主义剥削来形容这个时代，最贴切的词汇大家都用过了，可是无形的东西愈发减少，这是大人的世界，列侬也说过摇滚是无法拯救这个世界的，他死了。而没死的人则如同《蓝色地下乡愁》中的马世芳所讲述的那样，学运的领导人们纷纷妥协了，进入了体制内。
所以，当刘智泰在《老男孩》中对崔岷植说，“外面只不过是一个大一点的监狱”时，没有人能幸免，你能够解释什么，无法操控自己的命运。但慢慢人们都会麻木的，就好比印度人民依然一如既往的支持自己的宝莱坞歌舞片，不管故事怎么弱智，至少不需要动脑筋，生活很不美好，干嘛还要花钱到影院再重温现实的苦难呢？这是人类的通病，而真实是思考的确不一定有意义，似乎更多的时候思考是庸人自扰，苏格拉底不是死了吗，阿基米德不是死了吗，王实味不是死了吗，好了，那就这样吧。凯文.科斯特纳在《刺杀肯尼迪》的最后有一段很精彩也很煽情的控诉，结果呢，陪审团一致认为被告无罪。So…Fuck it.
圣诞夜，枪响了，奄奄一息的雷在担架上，喃喃的说：在伦敦的某处有棵圣诞树……
没有人是必须死的，但并不是说他们都没有做错事。英雄们死了，我们是看热闹的，偶尔说说废话，有时候天真是应有的，那棵圣诞树下面有很多礼物盒，打开它们，你会得到你应得的，只是事先你应该先找到那棵树。
2008-06-29 02:00 | 10回应
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>还没有注册... 所有中年男都应该看的电影 瞎子(情深不寿 强极则辱)
这是我在豆瓣记录的第一千部电影，因此迟迟没有看，就是想挑部好的。这个晚上，想了很久，选了一部看着像商业片（中文翻译是《杀手没有假期》，好像一部跟《赶尽杀绝》一样的猛片），但前阵子看个片头就觉得很沉闷的电影，《IN BRUGES》——个人直觉这片子有戏。果然，耐着性子看完开头三十分钟的缓慢和悠长之后（其实也没觉得难捱...... (23回应)
2008-09-06 42/45有用
这是我在豆瓣记录的第一千部电影，因此迟迟没有看，就是想挑部好的。这个晚上，想了很久，选了一部看着像商业片（中文翻译是《杀手没有假期》，好像一部跟《赶尽杀绝》一样的猛片），但前阵子看个片头就觉得很沉闷的电影，《IN BRUGES》——个人直觉这片子有戏。
果然，耐着性子看完开头三十分钟的缓慢和悠长之后（其实也没觉得难捱，因为配乐是相当得好听），这部片子让我欲罢不能，一直到末了，才怅然地叹口气。
因为我说不出是好笑还是悲伤，在整个播放过程中，我不停地在发笑和难过之间荡来荡去。
怎么说呢，不剧透了，说说它的好处吧：
1.如此正宗如此浓郁的黑色幽默——英伦三岛很很干巴巴又很机灵的黑色幽默——这是推荐中年男的原因之一——在我们的幽默感慢慢被生活沉淀为无趣的时候，此时我们已经不大稀罕少年那种不够含蓄的搞笑滑稽，而需要一种洞察式的讥诮。无数个场景，拎出来就是绝好的冷笑话，我相信不久就会有本片的经典台词语录。
2.很MAN的电影——这是推荐中年男的原因之二——在我们的男人味逐渐磨平成世故的时候，算是给我们残存的灯里添点油，提醒我们依然可以豪气干云，虽然体型已经失控。三个男人的故事，三个没有发达的肱二头肌腹肌胸肌叉腰肌的男人：一个不安静的年轻仔，一个大腹便便的中年男；一个好像得了甲亢的中年男——他们都很MAN。对于一部杀手片来说，这些都太合适不过了……哦，还有一个很坚持原则的胖子文物保护单位管理员，他也很MAN，虽然挨了顿胖揍。
3.非常好听的配乐——这是推荐中年男的原因之三——品位，品位啊。适合一个潮湿阴暗古老偏僻的比利时小镇的钢琴声，忧郁而温柔，配上电影里三个又搞笑又让人起敬的杀手，很好很强大。
4.天衣无缝的剧本——这是推荐中年男的原因之四——智慧啊，一脑门子都是智慧。啥叫无巧不成书，得巧得自然，不露痕迹。每个邂逅的线索都是伏笔，到最后一起涌现出来，让人恍然大悟。
5.很浪漫的电影——这是推荐中年男的原因之五——一见钟情的浪漫，过命交情的浪漫，杀手和杀手之间的惺惺相惜，中年人对年轻人的爱护希望，无一不浪漫头顶，给我们日渐平庸的生活一点梦幻色彩。
6.这个我拿不准是否适合中年男——有N多哈利波特里出现的演员……其实也是适合的，因为这些演员都是演技派，对于喜欢看门道的中年男来说，是一部过瘾的戏，一举一动无不带着精彩。
7.服装——欧式的古典的平整的熨帖的，怎么穿怎么好看，无论男女，无论老少，这算是企图讲究的中年男另一个不大不小的倾心点吧。
总之，各位超过35岁的WS男们，这部电影强烈推荐你们收藏。
另外，由于中年WS男往往是女文青的克星，因此这部电影也适合企图掌握中年男人复杂微妙心理的女文青。
2008-09-06 14:15 | 23回应
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>还没有注册... 好剧本打着灯笼难找 九只苍蝇撞墙(瓢泼大雪)
要说从每年全世界出产的这多电影里，挑一部剧本写的好的，真不容易。 其实“剧本好”这个说法和“好电影”并不是完全划等号吧。要看影片自身的定位和所要采取的表现手段的不同。比如Gas Van Sant或者Roy Anderson都不需要一个丰满完美精彩绝伦的故事做为支撑，这样做只能把片子的精华带跑。但另一些，即便不是商...... (13回应)
2008-08-04 29/29有用
要说从每年全世界出产的这多电影里，挑一部剧本写的好的，真不容易。
其实“剧本好”这个说法和“好电影”并不是完全划等号吧。要看影片自身的定位和所要采取的表现手段的不同。比如Gas Van Sant或者Roy Anderson都不需要一个丰满完美精彩绝伦的故事做为支撑，这样做只能把片子的精华带跑。但另一些，即便不是商业电影，比如Olivier Assayas或者是Abel Ferrara的最近几部片子，因为剧本太差，看的时候时不时会让人觉得不堪忍受，无数次想要中途放弃。
我总觉得，对于一个专业电影人来说，写一个好剧本的难度远远超过拍一个好电影的难度。电影是立体的，声，光，影，演员，环境一起上，熟练掌握技巧的导演总能在千变万化的环境选择，场景设置和不可预测的演员表演里找到闪光点。相比之下，写一个剧本的可选择程度要小多了，戏剧这玩意儿已经存在了几千年之久，电影电视剧作在极其发达的工业支持下也疯狂发展了有快一百年了，换句话说，模式、框架和套路早已经是板上钉钉，可发展出的新东西新模式少之又少。它几乎陷入了一个悖论里，甩开套路抛开欣赏习惯自行一套，必将遭到观众的唾弃，束手束脚的规规矩矩，到头来换来的也很可能就是银幕前的一阵阵不耐烦的哈欠连天。真正用心的编剧只能非常痛苦的在夹缝里筋疲力尽绞尽脑汁的寻找平衡点。为什么好莱坞这些年持续的把电影视觉效果化，努力朝“读图化”发展，我想写“好剧本”吃力不讨好恐怕是非常重要的一个原因。
去年一整年在电影院里大概看了200部左右的新上映影片，最终以我的标准，剧作堪称完美精彩的只有编剧之神PAUL HAGGIS的一部《In The Valley of Elah》，今年虽然看新片量大幅减少，看到现在应该也有100部左右，依然只有这一部《In Bruges》算是莎士比亚灵魂附了体，隐约看到了点儿经典时代英语电影的精华。
我从电影院里走出来后，回头细想没发现任何一点新鲜的局部套路，人物性格定位，甚至连插科打诨都好像是从其他经典好莱坞时代的旧片里信手拈来的。但这个由几十个俗套堆起来的Buddy Film（我最不喜欢看的一种类型片）却出奇的不带一点好莱坞电影的粗糙到平庸的俗不可耐。它的诀窍实际上在于组织这些俗套的架构和指导思想有了变化。我要说它实际上更舞台化，它一上来不是展现故事结构，冲突矛盾，而是充分展现人物性格，将人格魅力力图发挥到极致。影片剧情的基本推动力不是通常的电影剧本埋设的几个“引线”，而是几个人物鲜明而充分张扬的性格，“冲突”的持续发展来自于人物的内心而不是“事件”或者是剧本外编剧的”看不见的手“的推动，正是这个决定了影片的风格。尽管在细节上它毫不掩饰的”媚俗“，在人物和剧情设定上充分”拿来“黑帮，枪战，喜剧和最通俗的爱情，毫不掩饰的要迎合大众口味，但它整体上却因为人物性格的丰满和剧情发展的驱动力的与众不同，而让一个其实纯粹商业的电影披上了很”文艺“的外衣，但又不是那种曲高寡合不食人间烟火的自命清高。
这种在情绪和人物性格上的”栽培“和”拔高“甚至可以弥补和掩盖剧情逻辑本身上的缺陷，让它们不那么引人注目：《In Bruges》几个人物和剧情相关的行为逻辑都不是那么说的通的，比如一个杀手会为误杀了个小孩如此难过，抑或是另一个人会违抗老大的命令自我牺牲拯救同伴，还是黑帮老大会一个人单枪匹马来解决自己手下的小喽啰……但是这一切在鲜明和惹人喜爱的人物性格面前，都在观众的潜意识里被自然而然的过滤而束之高阁了。
这也是一个好剧本的一个显著特征之一：不是要编一个完美没有任何缺陷的故事（这好像几乎不可能），而是如何用合适，不为人察觉，四两拨千斤的技巧或者给它们披上“合理”的外衣，或者干脆让观众把它们遗忘。
看介绍才知道导演和编剧Martin McDonagh是爱尔兰最有才华的戏剧作家之一，难怪片子里很多场景中片段与细节的戏剧化冲突被刻画的这么紧凑和有整体观念，在内容的衔接和节奏上又如此出人意料，尽管内容本身是陈词滥调。
看来戏剧依然是所有文学形式的基本功，这个一点不假。
一年有一部学习剧本写作的范例，去年是《In The Valley of Elah》，今年就是《In Bruges》了。
2008-08-04 07:54 | 13回应
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>还没有注册... > 更多影评(共383条)
What an awsome movie! violaxuan
I watched it the second time yesterday what an awsome movie!! Everything is in perfect logic...and everybody with impressive character! Great actors.. The B......
2009-10-30 精彩的对手戏 法人不代表(持盈保泰)
一个内疚的杀手，一个义气的搭档，一个将原则的老板，一个种族主义侏儒，片子处处设防，剧情紧凑，黑色幽默层出不穷，科林的表演精准自然，不知道导演何方神圣，风格独特啊！......
2009-10-29 In Bruges，杀手没有假期。 太空竹子(太空漫游中)
如童话般优美的比利时小镇，却成为职业杀手的葬身之地。遵守杀手规则却引来更多的杀戮:残忍的黑色幽默。印象深刻的原声音乐和如梦幻般的场景营造 讲述了一个颇具哲学意味的故事。当杀手没有假期，即便是美丽如梦幻的Bruges小镇，也能瞬间变成人间炼狱。......
2009-10-14 关键词 calmme(黄昏的山坡下)
爱尔兰口音，快乐逻辑，卷毛狗和跟老人，太阳雨，尴尬事儿，问题枪，初恋，磕巴话，旅馆，河边的上午跟夜晚。......
2009-10-12 可能是我太土了 吴大锤(反正你不认识我)
RT，可能是我太土了，忘记文化与文化之间是有那么几条鸿沟，你是跨不过去的，感叹如今强人那么多，能在这部片子里看出那么多的所以然来 你现在要问我看过之后有什么感受，我会说，哦，男主角的眉毛很喜庆 话说我还是看了午夜场的影评才去看这部电影的，果然，还是得问自己一句，在电影鉴赏这条路上，是你们走得太远了，还是我走...... (2回应)
2009-10-05 为什么ken能坚持那么久才死 小望
一枪打中了脖子上的大动脉，居然还能爬么久。而且从那么高的塔上摔下来，我听到了像番茄一样被砸烂的声音。居然还不死，真是有点假。 ......
2009-09-30 > 更多影评(共383条)
"杀手没有假期 In Bruges"论坛 · · · · · ·
这里的人都很耐呀 来自Nino 2009-11-01
最后Harry没有误杀到一个男孩吧！ 来自ayuan0103 17 回应 2009-11-01
有没有感觉那个侏儒 来自monotonous 18 回应 2009-10-30
为什么误杀了小孩就要死的片子评价这么高? 来自zbbspace 76 回应 2009-10-28
OST有下载吗？ 来自小黑超飞翔 9 回应 2009-10-28
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