爱华网INTRODUCTION
THEMANUSCRIPT OF Dubliners was sent to the English publisher GrantRichards in late 1905 as a collection of twelve short stories(subsequently fifteen). After initial enthusiasm for thebook, Richards became uneasy about sexualexplicitness and possible legal complications which couldfollow from this. In 1909 Joyce gave up trying to persuadeGrant Richards to publish the book, and sent it to the Irishpublisher, Maunsel & Company. There the book got asfar as being printed, but the stock was destroyed before itsrelease, this time for fear of possible libel action.Dubliners finally appeared under Grant Richards's imprintin 1914. Thus a work, begun when the author was 22 and arecent graduate of University College, Dublin, and finished in 1907with `The Dead' when he was 25, did not appear in print until hewas 32.
Bythe time Dubliners was published Joyce's great work APortrait of the Artist as a Young Man was being serialised in TheEgoist. The delayed publication of Dubliners thuscontributed to its modest critical reception, and this was furtherunderlined by the greater weight placed on lengthy prose fiction ascompared to short stories at that time. Dubliners, like most ofJoyce's writings, contains autobiographical material—mostly in 'AMother' and 'An Encounter' —while 'Ivy Day in the Committee Room'is based on Joyce's first—hand experience of Irish politics in theearly years of the twentieth century.
Joyce's brother,Stanislaus, has written of the author's keen collection of detailfrom his everyday life for his fiction. Stanislaus himself servesas a model for Mr. Duffy in `A Painful Case'. Joyce's greatauntsare used as models for the Misses Morkan in 'The Dead'. He alsodraws on the early life in Galway of his own Nora Barnacle, toimpart reality into his deeply emotional writing. The portraitwhich Joyce draws in Dubliners is of the intimately observed lifeof a city and its people at a time of radical change. Dubliners isessential reading not only for those seeking an understanding oflife in the Irish capital at the start of the twentieth century,but for all who seek an insight into Joyce the artist and hiswork.
CONTENTS
TheSisters┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
AnEncounter ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Araby┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Eveline┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
After theRace ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
TwoGallants ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
The BoardingHouse ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
A LittleCloud ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Counterparts ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Clay┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
A PainfulCase ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Ivy Day in theCommittee Room┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
A Mother┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Grace┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
The Dead ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
|
| |||||||||||||||||
《恋爱中的女人(英文原版)》POREWORD
POREWORD
By D.H.Lawrence
THIS NOVEL was written in its first form in the Tyrol, in1913. It was altogether re-written and finished in Cornwall in1917. So that it is a novel which took its final shape in the midstof the period of war, though it does not concern the war itself. Ishould wish the time to remain unfixed, so that the bitterness ofthe war may be taken for granted in the characters.
The book has been offered to various London publishers.Their almost inevitable reply has been :“We should like very muchto publish, but feel we cannot risk a prosecution.” They rememberthe fate of The Rainbow, and are cautious. This book is a potentialsequel to The Rainbow.
In England, I would never try to justify myself against anyaccusation. But to the Americans, perhaps I may speak for myself. Iam accused, in England, of uncleanness and pornography. I deny thecharge, and take no further notice.
In America the chief accusation seems to be one of“Eroticism.” This is odd, rather puzzling to my mind. Which Eros?Eros of the jaunty “amours,” or Eros of the sacred my steries? Andif the latter, why accuse, why not respect, evenvenerate?
Let us hesitate no longer to announce that the sensualpassions and mysteries are equally sacred with the spiritualmysteries and passions. Who would deny it any more? The only thingunbearable is the degradation, the prostitution of the livingmysteries in us. Let man only approach his own self with a deeprespect, even reverence for all that the creative soul, theGod-mystery within us, puts forth. Then we shall all be sound andfree. Lewdness is hateful because it impairs our integrity and ourproud being.
The creative, spontaneous soul sends forth its promptingsof desire and aspiration in us. These promptings are our true fate,which is our business to fulfil. A fate dictated form outside, fromtheory or from circumstance, is a false fate.
Xiv WOMEN IN LOVE
This novel pretends only to be a record of the writer＇s owndesires, aspirations, struggles; in a word, a record of theprofoundest experiences in the self. Nothing that comes from thedeep, pasional soul is bad, or can be bad. So there is no apologyto tender, unless to the soul itself, if it should have beenbelied.
Man struggles with his unborn needs and fulfilment. Newunfoldings struggle up in torment in him, as buds struggle forthfrom the midst of a plant. Any man of real individuality tries toknow and to understand what is happening, even in himself, as hegoes along. This struggle for verbal consciousness should not beleft out in art. In is a very great part of life. It is notsuperimposition of a theory. It is the passionate struggle intoconscious being.
We are now in a period of crisis. Every man who is acutelyalive is acutely wrestling with his own soul. The people that canbring forth the new passion, the new idea, this people will endure.Those others, that fix themselves in the old idea, will perish withthe mew life strangled unborn within them. Men must speak out toone another.
In point of style, fault is often found with the continual,slightly modified repetition. the only answer is that it is naturalto the author; and that every natural crisis in emotion or passionor understanding comes from this pulsing, frictional to-and-frowhich works up to culmination.
Hermitage
12 September,1919
|
| |||||||||||||||||||||||||||||||||||
简介： |
| 导读： CONTENTS Introduciton┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ Foreword┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 1. Sisters┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 2. Shortlands ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 3. Class-room ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 4. Diver┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 5. In the Train ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 6. Creme de menthe┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 7. Totem┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 8. Breadalby┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 9. Coal-dust┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 10. Sketch-book ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 11. An Island ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 12. Carpetting┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 13. Mino┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 14. Water-party ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 15. Sunday Evening┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 16. Man to Man┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 17. The Industrial Magnate┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 18. Rabbit┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 19. Moony ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 20. Gladiatorial┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 21. Threshold ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 22. Woman to Woman┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 23. Excurse ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ viWOMEN IN LOVE ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 24. Death and Love┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 25. Marriage or Not ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 26. A Chair ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 27. Flitting┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 28. Gudrun in the Pompadour ┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 29. Continental ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 30. Snowed Up ┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ 31. Exeunt┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉ |
|
| |||||||||||||||||||||||||||||||||||
简介： |
| 导读： 译 序
对于大洋彼岸的美国,相信国人都不陌生。从好莱坞大片的风行到各种译介书刊的畅销,无不凸显了我们对这个国家的浓厚兴趣。然而,肯德基和麦当劳无法让我们看清美国人的生活习惯,比尔·盖茨也不能代表美国亿万普通百姓。铺天盖地的媒体报道展现在我们面前的往往是一个被加工修饰抑或歪曲变形的形象。就在我们津津乐道于“美国精神”或“美国梦”时,曲解极有可能已经产生。那么,真正的美国应该是什么样子?美国人的喜怒哀乐又是如何表现的?也许他们自己的描述会给我们带来更为准确到位的印象。 本书译自美国作家保罗·奥斯特主编的一本故事集。原作是编者发起的美国“全国故事计划”的征文集,收有180篇短篇真实故事,译者从中选出125篇,仍按原书体例分为10个部分,每个部分集中表现一个主题。这些故事的作者年龄、职业及背景多种多样,男女各半,居住地都市、郊区和乡村都有,遍及42个州。文章题材广泛,风格各异,反映了美国社会生活的许多不同侧面。它们中有些是对过往经历的简单复述,有些是对现实生活的哲理反思;有些笔触细腻,颇见文学功底,有些则略显粗糙,甚至不能称之为“文学作品”。但是这些并不重要,编者无意于去发现另一个海明威,他的初衷只是要把这本书变成一座“美国现实的博物馆”,让读者从中尽览凡人万象,体会一丝真切的感动。正如书中一位作者所说,故事也许不够完美,但它绝对是真实的。一百多篇故事就如同一百多块拼图,读者在阅读过程中也许可以拼出一幅鲜活的美国画卷来。 译者在翻译过程中受到许多师长亲友的帮助与鼓励,在此一并致谢。 译者 2002年9月 目录 ANIMALS 动物 The Chicken小鸡-------------------------------------- LIDNAELEGANT The Yellow Butterfly黄蝴蝶----------------------- SIMONETTEJACKSON Pork Chop猪排-------------------------------------------- ERIC WYNN BB--------------------------------------------------- SUZANNESTROH Two Loves两种挚爱-------------------------------------- WILLCOFFEY Rabbit Story兔子的故事----------------------------------- BARRY FOY Carolina卡罗琳娜------------------------------------- KELLYO'NEILL Andy and the Snake安迪与蛇------------------------------ RON FABIAN Blue Skies蓝天--------------------------------------- CORKISTEWART Exposure暴露----------------------------------- MICHAELOPPENHEIMER OBJECTS 物品 Star and Chain星星链子------------------------------- STEVELACHEEN A Bicycle Story自行车的故事--------------------------- EDITHRIEMER Grandmother's China祖母的瓷器------------------- KRISTINELUNDQUIST Mother's Watch母亲的表------------------------------- RAYMONDBARRY The Photo相片------------------------------------- BEVERLYPETERSON Ms. Found in an Attic阁楼新生--------------------- MARCUSROSENBAUM A Lesson Not Learned没有吸取的教训------------- CAROLSHERMAN-JONES A Family Christmas家庭圣诞节---------------------------- DON GRAVES My Rocking Chair我的摇椅--------------------------------- DOCK BAIN The Doll洋娃娃---------------------------------------- ROBERTMCGEE The Purse钱包---------------------------------------- BARBARAHUDIN A Gift of Gold金子般的礼物------------------------------ JOHN KEITH FAMILIES 家庭 Rainout泡汤------------------------------------------ STANBENKOSKI Isolation孤独------------------------------------------ LUCYHAYDEN How My Father Lost His Job父亲如何丢了工作----------- FREDMURATORI Danny Kowalski丹尼·科瓦尔斯基---------------------- CHARLIEPETERS Aunt Myrtle默特尔姨婆----------------------- LAURA BRAUGHTONWATERS American Odyssey美国式的“奥德赛”---------------------- JANE ADAMS A Plate of Peas一碟豌豆--------------------------------- RICK BEYER Double Sadness双重悲伤-------------------------- MARTHA RUSSELLHSU A Picture of Life生活写照-------------------------- JEANINEMANKINS Margie玛吉--------------------------------------- CHRISTINEKRAVETZ One Thousand Dollars一千美元--------------------------------- I. Z. Taking Leave告假---------------------------------------- JOE MICELI Act of Memory追忆------------------------------- MARY GRACEDEMBECK SLAPSTICK 闹剧 Bicoastal两岸------------------------------------------- BETH KIVEL A Felt Fedora费多拉毡帽------------------------- JOAN WILKINSSTONE Man vs. Coat 男人VS.外套-------------------------------- MEL SINGER That's Entertainment娱乐------------------------------ NANCYWILSON The Cake蛋糕------------------------------------------ GERARDBYRNE Riding with Andy与安迪同行----------------------------- JIMFURLONG Sophisticated Lady成熟女人---------------------- JOAN VANDENHEUVEL My First Day in Priest Clothes穿牧师服的第一天------ EUGENEO'BRIEN Jewish Cowboy犹太牛仔--------------------------------- JENNIFERPYE How to Win Friends and Influence People交友之道------- JERRYYELLIN Airport Story机场故事---------------------------------- RADNYWELCH STRANGERS 陌生人 A Conversation with Bill和比尔的一次谈话-------------- JOHNBRAWLEY Greyhounding“灰狗”大巴旅行--------------------- BETH TWIGGARGOFF A Little Story about New York纽约小事--------------- DAYNA T.PAYNE My Mistake我之错-------------------------------------- LUDLOWPERRY No Forwarding Address无处可寄-------------------------- JOSHDORMAN The New Girl新来的女孩------------------------------- MARCMITCHELL The Iceman of Market Street街市冰人----------------- R. C. VANKOOY Lives of the Poets诗人的生活---------------------- CLAYTONESHLEMAN Land of the Lost失落的世界----------------------------- ERICAHAGEN Rainbow彩虹------------------------------------- KATIE LETCHERLYLE Rescued by God上帝救了我-------------------------- MARY ANNGARRETT My Story我的故事------------------------------------- RACHELWATSON Small World世界真小------------------------------- PAUL K.HUMISTON Christmas Morning, 19491949年的圣诞节早晨----- SYLVIA SEYMOURAKIN A Shot in the Light一线生机--------------------------- LIONGOODMAN Snow雪--------------------------------------------- JULIANA C.NASH WAR 战争 The Fatest Man in the Union Army联邦军队中跑得最快的人 Mount Grappa格拉帕山-------------------------- MARY PARSONSBURKETT Savenay萨维内---------------------------------------- HAROLDTAPEER Fifty Years Later五十年后----------------------- GISELA CLOOSEVITT He Was the Same Age as My Sister他和我的姐姐同龄---MIEKE C. MALANDRA Betting on Uncle Louie打赌----------------------- JEANNE W.HALPERN The Ten-Goal Player“十分”球员---------------------- PAULEBELTOFT The Last Hand最后一把----------------------------- BILLHELMANTOLER August 1945 1945年8月------------- ROBERT C. NORTH &DOROTHY NORTH The Celebration庆祝-------------------------------- REGINALDTHAYER Christmas, 19451945年的圣诞节---------------------- LLOYDHUSTVEDT A Trunk Full of Memories满载记忆的箱子------------- MORTON N.COHEN A Walk in the Sun阳光下的行军------------------------ DONALDZUCHER A Shot in the Dark黑暗中的一枪------------------------- DAVIDAYRES Forever永远---------------------------------------- MARIABARCELONA LOVE 爱 What if如果---------------------------------------- THEODORELUSTIG The Mysteries of Tortellini神奇的意大利饺子------ KRISTINASTREETER An Involuntary Assistant无意的帮助------------------- C. W.SCHMITT The Plot墓地---------------------------------------------- BEV FORD Table for Two两个人的桌子----------------------------- LORIPEIKOFF Top Button领扣---------------------------------------- EARLROBERTS Lace Gloves蕾丝手套---------------------------- KAREN CYCONDERMODY Edith伊迪丝--------------------------------------------- BILL FROKE Souls Fly Away飘逝的灵魂------------------------------ LAURAMCHUGH Awaiting Delivery待产----------------------------------- JOHN WILEY A Lesson in Love爱的教训------------------------------ ALVINROSSER The Fortune Cookie签饼------------------------- SHARLILAND-POLANCO DEATH 死亡 Ashes骨灰---------------------------------------------- SARAWILSON Harrisburg哈里斯堡-------------------------------- RANDEEROSENFELD Something to Think About有所思-------------------------- P. ROHMANN Good Night晚安--------------------------------------- ELLISEROSSEN Charlie the Tree Killer树木杀手查理-------------------- FRANKYOUNG Dead Man's Bluff死人的游戏-------------------------- JOELEINSCHLAG My Best Friend我最好的朋友---------------------------- OLGAHARDMAN I Didn't Know我不知道--------------------------------- LIDNAMARINE Cardiac Arrests心跳停止--------------------- SHERWIN WALDNAM, M.D. Grandmother's Funeral祖母的葬礼---------------------- MARTHADUNCAN A Failed Execution劫后余生-------------------------- DAVIDANDERSON Heart Surgery心脏手术--------------------------------------- DR. G. The Crying Place伤心之地-------------------------------- TIM GLBSON Lee李------------------------------------------------ JODIEWALTERS South Dakota南达科他----------------------------------- NANCYPEAVY Connecting with Phil心系菲尔---------------------------- TOM SELLEW The Letter信---------------------------------------- BRIAN F.MCGEE Dress Rehearsal彩排----------------------------------- ELLENPOWELL DREAMS 梦 4:05 A.M.凌晨四点零五分----------------------------- MATTHEWMENARY Blood血------------------------------------------- JAMESSHARPSTEEN The Interpretation of Dreams解梦--------------- V.FERGUSON-STEWART Friday Night星期五晚上------------------------------- STEVEHODGMAN “Jill”“吉尔”--------------------------------------- KARAHUSSON D-day登陆日-------------------------------------- RICHARD R.ROSMAN The Wall墙------------------------------------------- VICKYJOHNSON Heaven天堂--------------------------------------- GRACEFICHTELBERG My Father's Dream父亲的梦---------------------------- MARYMCCALLUM Anna May安娜·梅---------------------------------------- JEFF RAPER Long Time Gone岁月流逝--------------------------------- LYNNDUVALL MEDITATIONS 沉思 Sewing Lessons缝纫课-------------- ---------------- DONNA M.BRONNER Seaside海边------------------------------------------ TANYACOLLINS After a Long Winter长冬过后-------------------------- EILEENO'HARA Peter彼得----------------------------------------------- MARK GOVER Reflections on a Hubcap轮毂盖上的映像------------ ROGERBRINKERHOFF Homeless in Prescott, Arizona普雷斯科特的流浪生涯------------ B. C. Being There在那里--------------------------------------- TIM CLANCY |
|
| |||||||||||||||||||||||||||||||||||
简介： |
| 导读： 前 言 人文科学和自然科学犹如人类文明的双翼，相辅而行，缺一不可。在经济转轨、社会变革的重大时刻，两者更应相互倚重，才能相得益彰。理、工、农、医等自然科学和技术，理应大力发展，此乃基础。人文社会科学也应同步前进（甚至先行一步），这是导向，关系到能否建成一个富强、民主、开放、文明的国家，关系到能否保持和发扬一个民族的凝聚力、创造力和生命力。然而，由于众所周知的原因，我国文科长期以来一直处于孱弱、滞后的状态。改革开放以后，文科是取得一些长足的发展，而且与发达国家的发展大势相同，文理之间和文科之间和文科内部也开始了交叉、渗透、融合、贯通。但这些进步是远远不够的。正是基于这样的认识，我们早在１９９０年就聚首一堂，酝酿策划了这部《综合英汉文科大词典》，目的是为了促进文科的复兴，加快文科走向世界、走向日新月异的２１世纪。 编写伊始，我们就为自己制定了四个努力目标：一是要涵盖全面，二是要体例实用，三是要注释准确，四是要使用便捷。 为了涵盖全面，我们利用出国讲学的机会，多次通过全球图书馆电脑联网目录（ＯＣＬＣ）“清仓查库”，然后摘、借、买、印，“竭泽而渔”。回国以后，再借助电脑，精筛细选，择善而从。整部词典以８万多文科常见词为中心，纵横辐射，收录了各种专业词组、常见搭配和固定说法近１６万条。其涵盖范围不仅有人文科学和社会科学，有“传统”的边缘学科，如军事、体育、建筑和工艺等，而且还有许多文理交叉的新兴学科，如管理科学、信息科学和环境科学。在选收文科词语中，我们不仅着眼于时下“热门”的学科，如经贸和法律，而且注重一些昔日备受“冷落”的领域，如心理和宗教。此外，我们还从英美的书报期刊上锐意穷搜了４０００多条９０年代流行的新词、新义（包括因特网上的常用词语），如ｃａｒｊａｃｋｉｎｇ（劫车）、ＰＣ Ｍｏｖｅｍｅｎｔ（端正政治态度运动）、ｖｉｄｅｏｃｏｎｆｅｒｅｎｃｉｎｇ（电视会议）、ｐｒｏ－ｌｉｆｅｒ（反对堕胎者）、ｅｕｒｏ（欧元）、ｍｏｖｅｔｈｅｇｏａｌｐｏｓｔｓ（移动球门柱；修改章程以卡人利已）、ｄｏｗｎｓｉｚｅ（缩小规模；裁员）、ｔｈｅ “ｍｅ”ｇｅｎｅｒａｔｉｏｎ（为我的一代）、ｗｅｂｓｕｒｆｉｎｇ（网上冲浪，网上浏览）、Ｉｎｔｅｒｎａｕｔ（因特网用户）、ｃｏｕｒｓｅｗａｒｅ（课程软件）和ｂｒａｉｎ ｇａｉｎ（人才流入，人才引进）等。截止发稿前夕，凡能收到的新词，我们都一一列入了大词典。 为了体例实用，我们一反有些专业词典的编法，不是一味地罗列词表、求大求全，而是从读者的实际需要出发，吸收了语文词典的许多特点，力争编成一部多功能的工具书。例如，给本书的单词都注上发音并标出词性。释义不仅有学科义也有常用义。搭配是词汇学习中一个极为重要的环节，也往往是读者的困难所在，所以我们在每个中心词项下，不仅列有大量的后置搭配，还列有相当丰富的前置搭配。常用词项下还附有较全的语文词条。为了便于理解、便于学科之间的相互借鉴，绝大多数词语都探本求源加上了学科标签。另外，不少单词还有语种、语体和语法方面的说明。凡此种种，目的都是为了能满足各方面、多层次的需求。读者不管是求解、鉴赏抑或翻译、写作，案首备有此书，当可大大减轻遍查各种词典之苦。 准确是词典的生命。为了注释准确，我们始终坚持“大胆怀疑、细心查证”的原则，对每个单词、每个搭配都尽量对照例句或上下文多方比较，再三斟酌，力求定义确切、规范、易懂。因此，不少以讹传讹、陈陈相因的“传统”谬误都得到了更正。如ａｇｒｉｃｕｌｔｕｒａｌｉｎｄｕｓｔｒｙ 和 ｆａｒｍｉｎｇｉｎｄｕｓｔｒｙ，很多经济类词典都误注为“农业工业”、“农作物企业”或“农业企业”，本书纠正为“农业”。至于学科标注，因为很多词语是空无依傍，我们一直是诚惶诚恐，有时为了一词一语的学科归属就多方求教，反复核对，力求专家和读者们都能接受。 为了使用便捷，一目了然，本书除词类外一概不用缩略语。语种标签、语体标签和学科标签等，统统使用全称。单词的前后搭配汇集一项。常用的专业说法和意在言外的疑难词组，全都设有互查项。此外，为了能向读者迅速、准确地提供一些常用信息，我们还借助因特网编制了５４种英汉附录。发稿前夕，又上网进行了一次复查更新，力争做到资料最新、信息最准。 《综合英汉文科大词典》从策划到杀青，经历了整整八个春秋，其中的几多困难，现已不愿提及了。总之，我们绝大多数编委，在完成繁重的教学任务之后，起早贪黑，不避寒暑，兢兢业业，团结协作，不厌其烦，八易其稿，为的是无愧于自己的学术良知、无愧于万千的读者大众。 本书的整个编写过程中，得到了许多专家、教授的帮助。 美国俄亥俄州伍士德学院（Ｔｈｅ Ｃｏｌｌｅｇｅ ｏｆ Ｗｏｏｓｔｅｒ） 的 Ｇｏｒｄｏｎ Ｓｈｕｌｌ 教授和已故的ＥｒｎｅｓｔＣａｍｐｂｅｌｌ 先生曾大力协助收集资料。 霍义明和侯焕鏐教授在词典起始阶段，曾积极参与过策划和组织工作。 洪银兴、童星、张柏然、赵曙明、宋林飞、严强和归兆恒诸位知名的文科教授与徐式谷、朱原、杨枕旦和李华驹等高级编审，都曾对本书的体例和样稿发表过很有价值的意见。 崔建华、萧耐园、贺艳玲、王奕红和王耀庭教授曾对本书中的外来词注音给予了大力帮助。 杨治中教授对本书自始自终都十分关心，并在许多方面及时地给予了支持。 另外，黄鹤新和纪晓云同志在电脑输入和处理方面，承担了大部分工作。 对上述教授、专家和同志们的支持和帮助，我们在此谨表诚挚的谢意。 但是，我们才疏学浅，汲深绠短，纰谬挂漏，所在必多，除应由我们自己负责外，尚祈专家、读者们不吝指正。 刘纯豹 １９９７年８月于南京大学 |
|
| |||||||||||||||||||||||||
